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The Writer’s Web: Weaving Community into a Solitary Craft

By Admin

by Christina Vo 

While writing is often perceived as a solitary pursuit, and indeed, much of the work is done alone, it doesn’t need to be an entirely isolating experience. My personal journey has taught me the invaluable importance of fostering connections with fellow writers throughout the creative process.

Here are some effective ways to make writing a more collaborative and social experience:

  1. Join a writing group: This can be an excellent opportunity to connect with local writers,
    share your work, and receive constructive feedback. These groups often provide a
    supportive environment where you can discuss challenges, celebrate successes, and
    find motivation.
  2. Participate in literary events and book festivals: Attending readings, panel
    discussions, and other literary gatherings can expose you to diverse perspectives and
    writing styles. It’s also a great way to network with other writers, publishers, and industry
    professionals in your area.
  3. Take a writing class or workshop: Structured learning environments can provide
    valuable guidance and accountability. For instance, I enrolled in a six-month memoir
    writing class that proved pivotal in shaping and completing my first memoir. Such
    classes often offer a blend of instruction, peer review, and deadlines that can help propel
    your writing forward.
  4. Engage in online writing communities: With the rise of digital platforms, there are
    numerous online forums, social media groups, and virtual writing circles where you can
    connect with writers from around the world. These spaces can offer daily inspiration,
    writing prompts, and opportunities for collaboration.
  5. Attend writing conferences: These events often feature workshops, networking
    opportunities, and chances to pitch your work to agents or publishers. They can be
    intensive but rewarding experiences that immerse you in the writing world.

The benefits of building a community while writing are innumerable. Beyond alleviating the sense of isolation, you gain access to a wealth of collective knowledge and experience. Writers at different stages of their careers can offer insights into various aspects of the craft and the publishing industry. This network becomes a source of mutual support, encouragement, and accountability.

I’ve found my writing community to be an incredibly nourishing and supportive resource. When faced with challenges or uncertainties, I can turn to my writing buddies for advice, brainstorming, or simply a sympathetic ear. This sense of camaraderie can be especially valuable during the more challenging phases of the writing process.

To illustrate the unexpected connections that can arise from engaging with the writing
community, let me share a personal anecdote. Through my involvement with the Women’s
National Book Association, I attended an event called Pitch-O-Rama. There, I met a woman
who not only became a good friend but also offered me a place to stay when I visited Seattle for a book reading. Our connection, forged through a shared passion for writing, extended far beyond the initial event and blossomed into a lasting friendship. This could happen to any aspiring writing simply by showing up to an event and forging a connection.

While the act of writing itself may require solitude, the journey of a writer can be greatly enriched by the connections we make along the way. By actively seeking out and nurturing these relationships, we create a support system that can sustain and inspire us throughout our writing careers.


Christina Vo is a writer based in Santa Fe, New Mexico. Her work reflects her commitment to understanding and sharing the complexities of the human experience. Christina’s debut memoir, The Veil Between Two Worlds: A Memoir of Silence, Loss, and Finding Home, demonstrates her ability to weave personal experiences into broader narratives about identity, home, and belonging. Her second book, My Vietnam, Your Vietnam, an intergenerational memoir co-written with her father, was published in April 2024 and recently selected for the Ms. Magazine Most Anticipated Feminist Books of 2024. She has worked internationally for UNICEF in Vietnam, the World Economic Forum in Switzerland, as well as served as a consultant for nonprofits.

Writing Brings Comfort While Grieving: A Letter to My Mother

By Admin

by Emily Thiroux Threatt

My Parents were married on Mother’s Day 80 years ago, so my thoughts keep drifting toward them. I facilitate The Grief and Happiness Alliance gatherings every week where we get together on Zoom, do some writing and sharing and learn happiness practices, and one of their favorite exercises is to write letters, so I decided to write a letter to my Mother in celebration of her wedding and anniversary. I haven’t written a letter like this to my Mother before, and there are so many things I could say. I’ve been thinking about ideas to focus on. Here are a few:

  • I could pick out a few memories and reminisce with her, like the time when we were cleaning out her garage together, we found her mother’s love letters to her first husband who died young.
  • Or how when I was writing my book, she would sit in a chair behind me so she could watch me write over my shoulder. She was fascinated by my computer which was a new thing at that time.
  • Or how we shopped together to buy blue sotted Swiss fabric for my bridesmaid’s dresses, then we shopped together again to buy the ivory raw silk for my daughter’s wedding dress. And how I made all those dresses.
  • I could write to her about how I discovered how much she must have loved me as a baby when I was rocking my infant son in the middle of the night feeling overwhelmed by my love for him, She wasn’t one to express emotions, but at that moment, I knew how she must have felt when she held me.
  • I could thank her for what she did for me throughout my life remembering how hard she worked to help me get into college, and how hard it must have been to let her 18-year-old daughter to move so far away.
  • Or I could write about how she let my best friend move into my bedroom when her new husband was sent off to Vietnam.
  • And I would write for sure to tell her how grateful I am that she chose to come live with us during her last year and all the amazing adventures we had during that precious time.

I could write a whole book about her. I only wish I would have talked to her about so many things while I still could. We didn’t communicate well, and I am sure that’s one of the reasons I became a writer. I want to leave nothing left unsaid. In our writing group, after we write a letter to a loved one, we take a breath, then we write another letter from our loved ones back to us. When I wrote that letter to my Mom, I wrote a letter from her back to me. These letters aren’t planned. We just let whatever comes to us to flow out on to the page. We have received beautiful, meaningful answers.

I’m sure we could debate on where these answers come from; however, what matters most is the peace and joy those responses bring.

I encourage you today to write a letter to your mother, or maybe your grandmother. You may want to write it in your journal or find a special place to save what you write. Then you can go back and read it when you can use some mom time. And if your mom is still here, be sure to put that letter in the mail.


After the deaths of two husbands, as well as the many family members and friends, Emily Thiroux Threatt has much experience in the grieving process and has learned to face life with love, optimism, and joy.

Her books include Loving and Living Your Way Through Grief and The Grief and Happiness Handbook. She created The Grief and Happiness Cards and is the host of Grief and Happiness Podcast. She also hosts weekly online gatherings of the Grief and Happiness Alliance where people dealing with loss write together and learn happiness practices.

The Why Behind the Words: Discovering Purpose in Your Writing Journey

By Admin

by Christina Vo 

There are countless reasons why people write. Some individuals know from a very early age that they are destined to be writers. Others, like myself, might arrive at writing later in life, and not necessarily because we dreamed of becoming published authors. For me, writing was a way of understanding myself, the world around me, and my relationships with others. In my younger years, journaling in the morning became a method to grasp the thoughts and emotions swirling in my mind.

I believe it’s crucial for people to understand and reflect on why they write. If you’re determined to become a published author with one of the big five publishers, that’s an admirable and worthwhile goal. However, you might fall into another category where you enjoy writing but weren’t formally trained. Perhaps you used writing as a life tool and later decided to publish some of your works. Whatever your reason for writing, it’s important to remember that ‘why’ and let it be a guiding principle as you delve deeper into your craft.

For those like me, it’s also vital to understand that some of the rewards of writing are not solely external (e.g., publishing in a prestigious journal or securing a great book deal). Many rewards are internal, and these lessons are invaluable.

Let me share a personal example. Earlier this year, I published a book, My Vietnam, Your Vietnam, co-written with my father. It’s a dual-perspective memoir about Vietnam, with chapters alternating between my father’s story and mine. I crafted the book by pulling pieces from a book he published in 2000 and my earlier writings on Vietnam. Through this process, I gained a deeper understanding of my father’s story and the challenges he faced throughout his life. It brought me a newfound respect and compassion for his journey. While I was delighted to have the book published by Three Rooms Press, more importantly, I am pleased that it deepened my understanding of my father.

This is just one example of how writing has benefited me beyond publication. In many ways, writing can be an art of being present (and we know we could all use more presence in our lives). The benefits can simply lie in the process of writing, in getting your thoughts out on the page, and in developing a deeper understanding of the world around you.

It’s important to remember this so that we don’t get lost in the business of writing and publication. The joy of writing can be found in the moment, in the art and craft itself. And who knows — you might find that you do your best writing when there’s nothing at stake, and when you’re writing simply because you’re committed to it.

By keeping sight of your personal ‘why,’ you can maintain a balanced perspective on your writing journey, appreciating both the external achievements and the internal growth it brings. Remember to never lose sight of your ‘why’ and that ‘why’ might be different for all of us.


Christina Vo is a writer based in Santa Fe, New Mexico. Her work reflects her commitment to understanding and sharing the complexities of the human experience. Christina’s debut memoir, The Veil Between Two Worlds: A Memoir of Silence, Loss, and Finding Home, demonstrates her ability to weave personal experiences into broader narratives about identity, home, and belonging. Her second book, My Vietnam, Your Vietnam, an intergenerational memoir co-written with her father, was published in April 2024 and recently selected for the Ms. Magazine Most Anticipated Feminist Books of 2024. She has worked internationally for UNICEF in Vietnam, the World Economic Forum in Switzerland, as well as served as a consultant for nonprofits.

WNBA, San Francisco Showcase at Hayward Lit Hop

By Admin

 
A full schedule of the event can be found here.
 

When: 4pm, Saturday April 27 at Odd Fellows Lodge 950 B Street at Mission and Main, Hayward 

with WNBA-SF presenters:

Concha Delgado Gaitan

Concha Delgado Gaitan works emphasize social justice issues of unrepresented communities.  In her capacity as a professor, she lectured on her books and has worked with communities including Latino, Russian Refugees, Alaskans, Native students, Hmong, and transnational populations in Mexico, Canada, and Spain. She’s written 10 nonfiction books. her latest being Wings of a Firebird: The Power of Relationships in Our Later Years–This book marks the beginning of a new direction in her writing, a focus on issues of older adults in our society.  In her book Prickly Cactus: Finding Sacred Meaning in Chronic Illness she turns the lenses inward and describes the role of family and community in healing her life and health. 

Maxine Rose Schur

Maxine Rose Schur is an award-winning children’s book author and travel essayist. She’s twice won the Lowell Thomas Award from the Society of American Travel Writers for excellence in travel writing. Her travel memoir, Places in Time was named Best Travel Book of the Year by the North American Travel Journalists Association and was awarded the Gold (First Place) for Travel Literature by the Society of American Travel Writers.

 
 
 
Sheila Smith-McCoy is an award-winning poet, fiction writer, and filmmaker. Her full-length poetry collection, The Bones Beneath is a haunting new work from Black Lawrence Press. In addition to her poetry and fiction, Smith McKoy has authored and edited numerous scholarly works. Her books include the seminal text in understanding white race riots, When Whites Riot: Writing Race and Violence in American and South African Cultures. She is co-editor of Recovering the African Feminine Divine in Literature, the Arts, and Performing Arts: Yemonja Awakening (2020), and editor of The Elizabeth Keckley Reader: Writing Self, Writing Nation (2016) and The Elizabeth Keckley Reader: Artistry, Culture and Commerce (2017). Smith McKoy has also written, produced, directed or served as executive producer for four documentary films.
 
Geri Spieler
 
Geri Spieler, the author of Housewife Assassin, is a journalist and investigator reporter who wrote for the San Francisco Chronicle, the Los Angeles Times, Huffington Post, Westways, and Forbes. She received praise and three awards, including the Smart-Writ Best Non-fiction award at the 2010 Mensa Annual Conference for her book, which uncovered the truth behind the life of Sara Jane Moore, the woman who attempted assassination of Gerald Ford, the President of the United States, in January 2009, Palgrave Macmillan, NY.
 
The panel will be moderated by WNBA-SF president, Elise Marie Collins.
 
A full schedule of the event can be found here.
 
Ellen McBarnette will be presenting as part of

Afrosurreal Writers Workshop of Oakland

Dirty Bird Lounge – 926 B Street (Mission & Main) – Outside in Rear

Maria Ochoa will be presenting as part of

Women Who Submit Lit: 

The Pizza House – 943 B Street (Mission & Main)

Empowering women and nonbinary writers by helping prepare to submit works for publication.

 

2024 San Francisco Writers Conference

By Admin

Register for the 20th annual San Francisco Writers Conference

February 15-18, 2024, at the Hyatt Regency

Since 2004, WNBA-SF has partnered with the folks behind the San Francisco Writers Conference to help offer the opportunity for ambitious writers to connect with professionals who can help pave the path to becoming a published author.

If you’re currently in the process of writing a book, getting ready for publication, or interested in promoting a book, this four-day weekend could bring you one step closer to accomplishing your goal.

Register now 

What to Expect at the SFWC

  • 100+ presenters, including over 20 literary agents and acquiring editors!
  • 80+ sessions of lectures and classes throughout the four-day weekend
  • SFWC Poetry Summit and the Writing for Hollywood Summit sessions
  • A free one-on-one consultation with an editor, a promotional pro, and a book coach
  • Various networking events such as the SFWC Gala or the Sunday afternoon no-host banquet

How can the SFWC help me?

  • With the four-day weekend packed full of various presentations and workshops fulfilling certain niches, you have the freedom to check out whatever speaks to your interest.
  • This is your chance to launch your writing career! Get in touch with leaders of the industry who can help you learn the publishing game.
  • As aspiring writers gather at the conference, observant agents assemble to offer their services.
  • The opportunity to refine your work with free editorial feedback from a freelance book editor and consultation sessions with a book coach or marketing expert.  
  • Most importantly, you are a book lover who gets to meet fellow book lovers! The San Francisco Writers Conference offers it all.
Keynote Speakers
 
Maia Kobabe is a nonbinary, queer author and illustrator from the Bay Area, California. Eir first full length book, GENDER QUEER: A MEMOIR, was published in May 2019. Maia’s short comics have been published online by The Nib and The New Yorker, and in many print anthologies including THE SECRET LOVES OF GEEKS, FASTER THAN LIGHT Y’ALL, GOTHIC TALES OF HAUNTED LOVE, ADVANCED DEATH SAVES and BE GAY, DO COMICS.

Before setting out to work freelance full-time, e worked for over ten years in libraries. Eir work is heavily influenced by fairy tales, homesickness, and the search for identity.

 
Alka Joshi is the internationally bestselling author of the Jaipur Trilogy: THE HENNA ARTIST, THE SECRET KEEPER OF JAIPUR, and THE PERFUMIST OF PARIS. Her debut novel, The Henna Artist, immediately became a New York Times bestseller and a Reese Witherspoon Hello Sunshine Book Club Pick. It has been translated into 28 languages and is currently in development at Netflix as an episodic series.

Born in Jodhpur, Rajasthan, India, Alka Joshi has lived in the U.S. since the age of nine. Joshi graduated with a BA from Stanford University and worked in the fields of advertising and PR before starting her own marketing consultancy. In 2011, she obtained her MFA in Creative Writing from the California College of Arts in San Francisco, California. She lives on the Monterey Peninsula with her husband and Coco, the misbehaving pup. 

We are looking for a few more volunteers for the WNBA-SF table at the SF Writer’s Conference, email sanfrancisco@wnba-books.org

 
WNBA-SF at SFWC
While you’re at the SFWC, be sure to catch up with some of our WNBA-SF members attending the conference.
 
Congratulations to our WNBA Members who are Presenters
  • Sheryl Bize-Boute
  • Carole Bumpus
  • Leslie Kirk Campbell
  • Lucille Lang Day
  • Joan Gelfand
  • Isidra Mencos 

Acquiring Editors/Independent Editors

  • Natalie Obando
  • Brenda Knight
  • Mary Knippel

Woman in the World of Words takes Words to a Different World:

By Admin

Spreading the Joy, Sparking Inspiration

Woman in the World of Words takes Words to a Different World:

Prize Money Travels from WNBA-SF to Bengaluru, India

 

The dollar may not have wings, but it can go far when converted to rupees. When her poem Desolee won First Place in the 2022 Effie Lee Morris contest, WNBA-SF member Miera Rao had an idea to share her joy. With the prize money awarded, she sponsored a poetry contest in India, to encourage underprivileged youth to find their inner poet.  The contest was held at the Samarthanam Trust for the Disabled in Bengaluru, her hometown.

Held in honor of her mother, Sunanda Rao – artist, writer and poet – the prompt was a simple and relatable one: Mother. The result was an enthusiastic outpouring of emotive pieces of work.  Aided by their sighted peers, the visually-impaired students wrote their poems and sent them to be judged.  Poems were all written in Kannada — the State language. 

With the award, Miera was able to sponsor prizes for first, second and third places, as well as for runners-up.  In addition, participants and other students of the School enjoyed a party after the prizes were distributed.  

What was really touching were the messages she and her sister, Mamatha Rao, got from the participants, afterwards.  The winners sent texts and video messages with well-wishes and expressed gratitude for the opportunity.  

One video that was especially moving was a song in honor of Miera’s mother, sung by first-place winner, Latha, poet with permanent vision loss.  Gifted with a divine voice that carried high notes effortlessly, this gracious gesture got eyes wet. 

Miera is grateful to the WNBA-SF Chapter as well as the Judges for the honor of first prize in poetry in the Effie Lee Morris Writing Contest. This monetary award was doubly and richly rewarding, as it funded the poetry contest for underrepresented students. Held at Samarthanam, this Contest in India was presided by the Founder of the Trust, Mr. Mahantesh, judged by Mr. S. R. Vijayaraghava, Mrs. Vasanthi Shenoy, Mrs. Sandhya Shenoy and organized by Ms. Manjula Gowda. 

(Note: Want to donate to the organization, contact Miera Rao on Instagram @sepiaquill or donate directly to Samarthanam.  She is not affiliated with the organization.)

 

    

 

 

 

Debra Eckerling on Networking Goals: At-A-Glance

By Julianna Holshue

The best way to stay on top of networking is to set networking goals. You can’t reach your goals on your own. You need your community of resources, champions, and connections. As everyone has their own circle, your community grows every time you grow your community.

Here are networking goals you can set each day, week, month, quarter, and year:

 

 

Each Day

Set a 15-minute active networking appointment. During this time:

  • Connect on LinkedIn with new friends
  • Send an email or message to check in on a friend or peer
  • Post, comment, and reply on social media

Each Week

Attend three events:

  • One mixer
  • One education event (Workshop or CE)
  • One one-on-one with someone you met at one of the first two events to continue the conversation

Each Month

Create new content:

  • Post on your blog. Ideally, you want to do this at least once a week, but better to aim for something feasible and achieve that goal
  • Guest on Someone Else’s Platform. It could be a blog guest post or interview, live show, or podcast

Each Quarter

Refresh your online presence:

  • Make sure your website bio and LinkedIn profile are up-to-date
  • Make sure your profile photo still looks like you
  • Bonus points for updating your banner image

Each Year

Attend at least one Live or Virtual Industry Conference

  • It’s one of the best ways to make new connections, solidify relationships, and learn new things in your area of expertise

Final Thoughts

Until you prioritize networking – and focus on making real general connections – you never know what good will come of it!

Eager to hear more? Join us for The Art & Craft of Networking for Writers and Creatives: A Lunch and Learn Discussion with Debra Eckerling on Thursday, September 28th, 12 P.M. PDT. Register for this event HERE

 

Congratulations to WNBA Award Winner Eve Bridberg

By Admin

On Saturday, June 3rd, Eve Bridberg, founder of Grub Street, a groundbreaking creative writing center was celebrated as the esteemed recipient of the 2023 WNBA Award. This accolade recognizes Eve Bridberg’s outstanding contributions to the literary community and is bestowed upon a “living American woman who derives part or all of her income from books and allied arts and who has done meritorious work in the world of books beyond the duties or responsibilities of her profession or occupation.” (WNBA website)

Eve Bridberg receives the WNBA award, from left to right, Serina Gousby, Diana Norma Szoklyai, Eve Bridberg, NC Weil, and Natalie Obando.

Coinciding with the WNBA National Meeting, the award presentation drew attendees from the Boston’s literary landscape, as well as WNBA Board members and presidents from all over the United States. The event showcased a diverse panel of writers who have not only flourished within the Grub Street Community but have also played a pivotal role in its growth, Serina Gousby, Namrata Patel, and Diana Norma Szoklyai. The panel was moderated by WNBA president, Natalie Obando and preceded the highlight of the evening—the presentation of the WNBA Award to Eve Bridberg.

Held at  Porter Square Books, Cambridge, and organized by Deborah Norkin, President of WNBA Boston and their board, the award presentation and reception, were seamlessly executed. Thank you Deb and WNBA Boston!

WNBA Board members and volunteers from Boston were warm and welcoming and ensured that the event ran smoothly.

Congratulations to  Eve Bridberg! 

WNBA has been a leader & advocate for roles of women in the community of the book, for over a century. How do you see your work founding and guiding GrubStreet as continuing that tradition?

In the early days of GrubStreet, I started teaching the first classes with a writer named Julie Rold. We had both just graduated from an MFA program where the dominant culture was patriarchal. By teaching in a style that was less paternalistic, more supportive, and more open, we created a place where women thrived. It’s also true that women can find it harder to carve out the time to write, and programs like GrubStreet, which offer classes at night and on the weekends and provide affordable and flexible pathways to deepen one’s craft, work well for women writers. I’m really proud of how many wonderful woman writers have published novels, nonfiction books, essays, and poems with strong female characters and perspectives on everything from how our culture continues to tolerate sexual harassment and rape to important yet under-appreciated historical figures like Lucy Stone to the complexity of mothering and more. 

Four seats out of six on our senior leadership team are occupied by women. I like to think that having so many women in leadership roles at GrubStreet has created a work environment that balances work and family, encourages collaboration, empowers early-career women, and creates a space that supports people of all backgrounds, gender identifications and sexualities, as well as leaders of color.

GrubStreet is a leader among non -academic writing centers nationwide. What next steps do you see for the organization, in increasing outreach and collaboration?

The future is so exciting. We have a new space on Boston’s beautiful waterfront with a podcast studio, a literary stage, a cafe and expanded community space and classrooms. Porter Square Books, a beloved local bookstore, is operating a second location in our space. With street-level presence and a stage, we look forward to amplifying the incredible range of diverse writing talent not only from Boston but from all over the country and world. Our Artistic Director, Dariel Suarez, has curated a vision for the stage that includes Writers’ Weekends that highlight the work of diverse communities within the writing world and explore how writing intersects with identity, culture, and society. The first weekend coming up in June is dedicated to celebrating and centering Latinx voices. 

This summer, writers will take the stage to discuss how creative writing can make a difference on climate change and explore the impact on local communities. Last year, following the Supreme Court’s Dodd vs. Jackson decision, a group of our instructors and staff led by our Program Director, Erin Weiss, organized “Your Body, Your Story,” a series of free and low-cost workshops on nonfiction writing about pregnancy, abortion, miscarriage, and reproductive justice. We are working now to publish an anthology of student work to share these vital stories with the world. 

What inspires you the most about GrubStreet as it has grown?

What inspires me the most is our multicultural and multigenerational community. The times we’re living in now make it hard to come together and deal with differences, nuance, and complexity. The voices online that gain traction tend to flatten people and issues. Good writing is an antidote to this. I’m proud of the way GrubStreet has grown into being a place where we can honestly grapple with differences, culture, identity, and complexity in our classrooms. We’re working every day to create a culture where writers from all backgrounds can bravely share their voices, experiences, and work, and where every member of our community commits to engaging across differences with curiosity and a desire to learn and grow together. 

In 2013, we started working on diversity and inclusion, recognizing that we weren’t representative of our city or the country at large. In recent years, that work coupled with our new headquarters has driven our growth with the establishment of a robust scholarship fund, fellowships for emerging writers, fully funded writing programs throughout Boston’s neighborhoods, and the growth of our teen programs. We also grew over the pandemic with our online Zoom classes reaching students all over the globe. 

For the full interview with Eve Bridberg: Click HERE!

 

Joining in Community at AWP 2023, A Conference for Writers, Publishers and Literature Enthusiasts

By Julianna Holshue

 

by Isidra Mencos

Introduction to Panelists

 

The 2023 AWP Conference, located in Seattle, was a first for me. I had never attended this massive annual event, which attracts thousands of writers eager to see panels, hear their favorite authors read, and buy books and literary magazines at the Book Fair.

I was there to speak on a panel entitled Writing With An Accent: Immigrant Women’s Voices in the U.S. with Allison Hong Merrill, Veena Rao, and Rakija Bhandari, as well as our moderator Parisa Saranj. We brought perspectives from India, Taiwan, Spain, and Iran. Some of the points we made during the panel were:

Fellow Panelist at the Podium

  • Immigrants contribute enormously to the U.S. economy. Their voices are key to understanding the diversity of the American experience.
  • Writing in English as a second language can be a boon instead of a hindrance: it can give you a different voice (more direct and shorter than Spanish, for example) and also provide you a bit of distance from the subject matter, which as a memoirist allows you to be more raw and honest.
  • Avoiding negative stereotypes about your culture is key, as is integrating cultural context in a plot-driven way instead of in summary or exposition (show, don’t tell).
  • If you connect organically with networks in your culture and ethnicity much before your book comes out, they will support you in force when you publish. 

Aside from our presentation, I attended several panels and was impressed by the consistently high quality of the content. A couple of favorites were The Sentence is the Story, which celebrated the sheer joy of writing a memorable and beautiful sentence and offered tips to elevate our style; and Ambition of the Short Story, organized by WNBA-SF member Leslie Kirk Campbell, where four short story writers presented a passionate defense of this art form, and highlighted what it can do that cannot be done in longer forms of writing.

Isidra speaking at AWP 2023

Isidra Presenting on the Panel

I was impressed with the organization of the Festival. With 14,000 writers going up and down the Convention Center escalators, it ran like clockwork and had topics and readings for everyone. The Book Fair was enormous, and on Saturday all the vendors offered deep discounts, so you could see writers leaving with bulging bags of books and magazines. 

I had never been to Seattle before, and I enjoyed discovering some neighborhoods and cafes with WNBA-SF president Elise Marie Collins, including the original Starbucks store and a lovely Native American restaurant ?ál?al. 

Fellow WNBA-SF Board Member, Lucille Lang Day, had this to say about her experience at AWP as a publisher for Scarlet Tanager Books: Scarlet Tanager Books had a strong presence at the 2023 AWP Conference in Seattle. We shared a booth at the Bookfair with Poetry Flash and hosted several book signings, including one by the latest Scarlet Tanager author, Chumash and O’odham poet Georgiana Valoyce-Sanchez. Her book, A Light to Do Shellwork By (Scarlet Tanager, November 2022), sold out. We had a full house for a reading I moderated, Elder Songs: Indigenous Wisdom in Poetry, where Georgiana read with Denise Low, Robert Davis Hoffmann, and Ron Welburn, who are also Native American elders. On Friday night, Scarlet Tanager followed up with a public reception entitled Scarlet Tanager Books Celebrates Indigenous Wisdom in Poetry. Georgiana, Denise, and Robert read again at the reception, along with Deborah A. Miranda, a contributor to the Scarlet Tanager anthology Red Indian Road West: Native American Poetry from California. Overall, we had a grand time at AWP!

Another highlight of my stay was meeting in person seven writers from my publishing house, She Writes Press, and seeing again my friend Erika Cebreros, whom I had not seen in over three years. 

AWP was a wonderful experience for me, uniting intellectual stimulation with personal connections. Although I missed many presentations because the program is enormous, and you cannot be in two places at once, attendees can access many of them online after the conference is over. 

Next year AWP will take place in Kansas City. If you’re planning to go, I recommend finding a conference buddy so you can enjoy some sightseeing during conference breaks; downloading the app in advance and studying the program so you can create your own schedule easily accessible from your phone; attending some evening events and readings to meet authors you admire in smaller venues; and keeping some cash in hand for the Book Fair. Happy conferencing!

Panelists Holding Their Books

 

Isidra Mencos is the author of Promenade of Desire—A Barcelona Memoir. Her work has been published in Chicago Quarterly Review, Front Porch Journal, The Penmen Review, Stirring Literary Journal, and Newfound, among others. Her essay, “My Books and I,” was listed as Notable in the The Best American Essays 2019.

 

Great Group Reads: Supplementing My Passion for Reading

By Admin

Discovering Great Group Reads

By Carolyn Bass

As the saying typically goes, the third time’s the charm. But for my story, it was the first time.

As a card carrying member of the Mechanics’ Institute in San Francisco, the Women’s National Book Association, San Francisco chapter, happened to be holding an event at the Mechanics’ Institute library, and I thought, “Count me in.”

Glued to my seat, I loved every minute of the presentation. I had to make a mental note to carry glue remover for next time! The fun continued as I was treated to delectable delights. A focus of the WNBA is reading and writing; two of my favorite activities. So I became a member of the organization on the spot. First time’s the charm. My story doesn’t end here.

From an early age, I was drawn to reading and writing, so the hike to the library was not unfamiliar. It was a book lover’s delight. As I grew older, I became a Librarian’s Assistant. Sitting at a table one day, I reviewed a book that was advanced for my age. Little did I know, this was only the beginning. Then one day, I read an article about Great Group Reads, discovering that Kristen Knox, Great Group Reads (GGR) talented and supportive chair, was looking for Women’s National Book Association members to volunteer and join the GGR committee to read, review, and vote on books free to the committee members. I completed the application process and was accepted. Whoo-hoo! Once again, the first time’s the charm.

It warms my heart to know that these books may end up in the hands of readers in book clubs and beyond, potentially influencing their lives for the better.

The excitement I experienced receiving free books that I didn’t choose was my preference. Was I fearful because of the large number I was expected to read? Not at all. It was about making a commitment. Writing being a passion of mine was a boon for the private blog. Plus, it was interesting to see the final vote choices.

Would I do Great Group Reads again? In a heartbeat. I am gearing up for my third year!

Want to apply to Great Group Reads?

Contact Kristen Knox (she/her), WNBA, Great Group Reads Chair at ggr@wnba-books.org. Please write “2023 GGR Reader Application” in the email subject and don’t forget to include your full name and the WNBA chapter you belong to.

What are the requirements to join Great Group Reads?

  1. One must be a Women’s National Book Association member in good standing
  2. Between March/April and the end of July, be willing to read around 25 books, or at least
    100 pages of each
  3. Write reviews and contribute thoughts and reactions on the books via a private blog
  4. Vote for the final list

What kind of books will I read in Great Group Reads?

As a Great Group Reads member, you’ll be reading many books of varying profile, with some being future bestsellers, lesser known titles, mid-list titles, or belonging to small presses. Past readers have remarked on the variety of books received and the newfound exposure to diverse topics they typically would not have sought on their own.

If you’d like to see a list of all books read since GGR began in 2009, you can find each year’s catalog here.

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