Jessica Teisch is the editor and publisher of Bookmarks magazine, a bimonthly print and digital “best of books” magazine that has been in print since 2002.

After all your years at Bookmarks, what continues to excite you about discovering and sharing new books?

(JT): I love finding “hidden gems,” so to speak. Most avid readers look at the major bestseller lists — the New York Times, New York Review of Books, New Yorker, etc. The books showcased in those publications get a lot of attention, and attention snowballs into more attention and publicity, which then further snowballs into literary awards’ committees’ nominations and awards. I enjoy identifying a book that might be a debut novel or a translated volume that received scant but glowing reviews — and highlighting those titles for our readers. These books are harder to find, but since we scour 40+ publications for the book reviews that appear in our New Books Guide, we always manage to find a few!

This might sound strange, but we also review books that have received a lot of press—but not all positive. Bookstores tend to display the books they know will sell, maybe by a bestselling author or a sequel to a bestseller, front and center. However, just because a bookstore promotes a book does not mean it was positively reviewed! We draw from a range of reviews, both positive and negative, to offer a more balanced and nuanced look at these kinds of books. 

What makes a book review genuinely useful to you when deciding if it earns a spot in the magazine?

(JT): Our New Books, which is about half of the magazine, offers a book review digest of about 45-50 new titles in many genres—literary fiction, crime, SF/fantasy, young adult, general fiction, biography, history, and science. For each of the new books reviewed, we provide a story/topic summary, pull quotes from various magazines and newspapers, and then offer a critical summary that reflects the range of reviews. To earn a spot in the magazine, a new book must have garnered at least some newspaper/magazine/blog reviews to include it. That being said, our New Books Guide is only one part of our magazine. 

We regularly feature author profiles (recent ones include Andrew Miller, Amy Bloom, and Tove Jansson). Each issue also has a few genre articles (Exciting Subgenres of Fiction: Romantasy, Cli-Fi, Dark Academia, and More; Just in Time for Halloween: Cryptids and Other Strange Creatures in Fiction and Nonfiction; Books as Bingeable as Your Favorite TV Shows; The Best Presidential Biographies for Every Type of Reader; The Middle East, in Translation; etc.). For those, we draw both on new releases, older books, and classics. For books to be included in those articles, we look at published lists, articles, and more to get a sense of where to start. I really enjoy writing those articles because I learn more than I ever thought possible on a range of topics! We also feature unique opportunities for readers to write in, through our Book Group Profile and our Have You Read? page, where a reader can offer a list of her/his/their own recommendations on a certain topic.

We love providing the diversity of opinion! 

Your academic background is in Geography and Environmental Science; does that influence what catches your eye at Bookmarks?

(JT): I always have an eye for the nature/science books that are available for general readers. So many books on botany, astronomy, and other fields are written for academics and specialists, that it’s always great to discover titles written for the lay reader. My field was environmental history, and it seems that more and more authors are writing books for the lay reader rather than for strictly the academic.

Our readers are smart and well-read, so it’s always great to include books that might appear daunting but are engaging and well-written. 

What’s changed the most about running the magazine since you became editor and publisher?

(JT): Our format has been largely the same since 2002, when the magazine was founded. However, I took it into the digital age (though print remains highly popular). We’ve also tweaked smaller elements of the magazine, streamlining and adding to what readers enjoy most.

Jessica Teisch earned her PhD in Geography and Master’s in Environmental Science at U.C. Berkeley before turning to her true love: books. She has also written a few nonfiction works, including Engineering Nature: Water, Development, and the Global Spread of American Environmental Expertise (University of North Carolina Press) and Da Vinci for Dummies (Wiley). 

How was writing this book different from your other books?

(JMP): Four of my previous books are medical textbooks. I was both the editor and contributor. A fifth book is a metaphorical piece which describes the life lessons I derived from tango classes. While many of the examples are personal, these do not come close to the intimate and controversial nature of Lying in a Tomb, which is both a memoir and an observational anthropological study pertaining to human remains. During the writing process, there was a constant unease regarding the vulnerability of my subjects, the mummies of Guanajuato, and the naivete of my younger self.

How did you finally make the book happen? 

(JMP): I was about to initiate another writing project-a biography about a female physician who was an art editor for a medical journal. As I prepared, I found my old notebooks and was, yet again, overcome with the guilt of having never completed a report about my research. I recalled a creative writing class-an elective during medical school-and how my professor had encouraged me to continue writing about the mummies as a collection of short stories. So many decades later, something finally clicked. I composed an outline, organized items from my journals, and reserved a vacation rental for the following year, in Guanajuato. I invited friends who were artists or writers to join me. But first, I scheduled monthly zoom meetings to keep each of us-mostly me-on task. We all had to work consistently on our respective projects, so that our retreat in Guanajuato would be a culmination of our efforts, a reward, and a time of assemblage. I credit our synergy and our sense of accountability for the momentum necessary to bring such things to fruition.

What do you mean when you describe the process as “40 years and 26 months later”?

(JMP): It was during the late 1970’s-early 80’s, when my research of the mummies began. I was 21 years old when I received an award to continue my study. Forty years had passed when I decided to focus on a book about this experience. It took 26 months to review my notebooks, revisit my old haunts in Guanajuato, rekindle distant memory and edit, edit, edit.

How have your feelings about the mummies evolved over this time?

(JMP): In the beginning, I approached the mummies clinically. There was care and respect, but also a professional detachment. Navigating through the inevitable challenges presented in adulthood, transformed my relationship to the mummies, into one of greater empathy and advocacy. I can more deeply identify with their stories, even if I only know their age or cause of death.

If money and politics weren’t an issue, how do you wish you could continue to study the mummies?

(JMP): Oh! I’d pursue my original [naïve] plan. Collect all the death certificates of those bodies currently sepulchered in the crypts (not the graves); create a grid that would map the location relative to the death certificate; de-identify the data from the death certificate, but maintain the crypt location, temporarily; open each crypt- methodically, respectfully, and only in the presence of very few discreet individuals with previous security clearance; document the conditions of each (mummified completely, partially or not all); seal each crypt.

The location of mummies on the map would be analyzed for weather and climate exposure. A truer incidence of mummification would be proven, ie, a numerator (the number of mummified bodies) over the denominator (total number of crypts currently occupied). Mummified vs un-mummified would be statistically analyzed with variables obtained from the death certificate and location. We would see if in fact there are any correlations between such things as cause of death, time of entombment or location and the natural mummification process. The de-identified cemetery map-death certificate key would then be destroyed.

Also, what would you like to see happen with the museum of the mummies? 

(JMP): Paloma Robles Lacayo was the museum director between 2015 and 2018. She made several modifications to enhance both the dignity of the mummified humans and the educational experience. I hope that she can continue to bring about positive changes as a local politician. I wish that the so-called traveling mummies who are now displayed in a neighboring town, could be returned to the original museum at the Cemetery of Santa Paula, in Guanajuato. This will require expansion, which I realize, may no longer be feasible. You might wonder, how is it that all of the mummies were exhibited in this limited space. Well, they were propped-standing- against the walls, and later in tall wooden hutches. Out of respect and conservation efforts, they are exhibited horizontally on their backs, as if lying in a tomb.

As an artist and physician, Jeannette M. Potts, MD is the editor of four urological textbooks published by Humana and Springer Press, as well as author of the book Tango: Lessons for Life, published by Cleveland Clinic Press. She has been a passionate collaborator with the National Institutes of Health and the International Prostatitis Collaborative Network to advance research and patient care.