Women's National Book Association, San Francisco Chapter

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You are here: Home / Archives for WNBA-Writers

Featured Member Interview – Karen Wang Diggs

By Admin

From cooking to helping women entrepreneurs succeed, Karen Wang Diggs explores the nature of being an Asian woman in today’s world.

As an Asian woman, how did your background play into this book being born?

(KWD): I was inspired to write this book by my aunt, who was part of the last generation of Chinese women who suffered from the terrible custom of foot-binding.

Unfortunately, she passed away when I was young, and I never had the chance to ask her about her life and to fully understand the suffering that she endured.

What did your writing process look like for this book? Is there anything you would’ve done differently?

(KWD): Because I wanted the book out by March 2025, in time for Women’s History, I had to stay focused and prioritize it.

I got the book deal from Mango Publishing in August of 2024 (with the support of Brenda Knight) and had to submit the manuscript by October in order for the editing and formatting to take place in time to get it to the printers. I would have liked to have had more time, but having said that, I am at my best when there is a deadline.

What new perspectives and messages do you hope readers gain from reading The Book of Awesome Asian Women?

(KWD): I hope readers will be well inspired by all the awesome Asian women in the book, from the past and present, and have a fresh understanding that Asian women have always been incredibly resilient, strong, and creative. I also hope that my book will help to erase the stale and offensive stereotyping of Asian women as being either docile and submissive OR dragon ladies out to beguile and dominate. 

What inspires you as a reader and writer? What brings you to write books?

(KWD): As a child, books were my refuge. As a teenager who suffered from clinical depression, books were my refuge. And as an adult who has overcome a lot of emotional trauma and stress, books are my refuge.

My home is surrounded by books, and I am constantly reading. After so many years of reading, the desire to write naturally arose, and I am humbled that I am now a published author.

Women’s history is often overlooked, though it has been brought up more recently and your book is another addition to changing that. What was your experience researching this topic?

(KWD): I was shocked and surprised to learn about many of the women I researched. While reading scholarly papers, news articles, or blogs, I felt that my own life had been deeply affected and enriched by meeting these women, from centuries ago, such as Empress Wu Zetian or Queen Himiko, to women who are superstars today, such as Awkafina and Sandra Oh.

Aside from being an author, what did your upbringing look like? You’re also a nutritionist and chef. How do you think your experiences have influenced you?

(KWD): My aunt and mother were the two most influential women in my life. Sadly, my aunt stayed behind when we immigrated to the US from Hong Kong. My mother raised six children, mostly on her own, and I genuinely marvel at her strength and resilience. The one thing about my Mom was that she was a bad cook! So, we siblings had to fend for ourselves. And that was the impetus that ignited my interest and passion for cooking and nutrition. Being a chef (which is still a male-dominated profession) opened my eyes to the systemic gender bias in the workplace, and being a nutritionist made me understand that women are usually the ones who are most concerned about feeding their families and taking care of everyone’s health. Everything is intertwined, and I feel a strong desire to be part of the positive social movement that highlights the incredible contribution that girls and women have had on behalf of all humanity.

As an awesome Asian writer, do you have any advice for aspiring authors?

Keep reading and keep writing! If you want to get published, be focused and write about a topic that you feel passionate about.

 

Karen is a classically trained chef, microbiome nutritionist, author, and expert fermenter. She specializes in helping women entrepreneurs thrive through The Gut-Brain Protocol. She is also passionate about sharing delicious recipes promoting health and well-being and lives by the motto: “Food is our most intimate and profound connection with Nature.”

 

 

Featured Member Interview – Shanti Ariker

By Admin

Shanti Ariker is a writer by night and a lawyer by day. The start of her memoir appears in How We Change, the 2024 San Francisco Writer’s Foundation Writing Contest Anthology. Her work has been published in The Thieving Magpie, On Being Jewish Now substack and Simpsonistas Vol. 3.

What is your memoir about? What inspired you to write it?

(SA): My memoir, THE LAW OF RETURN, is a study in resiliency in the face of conflict – both the one I witnessed in my time as a soldier in the IDF and the New York Times-covered custody battles between my parents, identified in the newspapers as ‘a religious government computer specialist’ and a ‘Revolutionary Communist,’ that left me, an Orthodox Jewish girl from Northern California, searching for belonging that led to my joining the IDF.

I was inspired to write it when I traveled back to Israel with my family for the first time after being away for 25 years. Seeing some of the same places brought it all to the surface for me, and I realized that I wanted to share my stories about what I had done and seen, what Israel and being Jewish mean to me and how I learned resilience and gained a sense of belonging from my time there.

In your bio, you describe yourself as a tech lawyer by day, writer by night. Does your background in law empower you in your work?

(SA): I do think that being a lawyer, especially one that is so in tune with the needs of a business, like an in-house lawyer is, is empowering. That has allowed me to feel like I can go beyond what I was taught in law school. And creative writing does break the mold of writing like a lawyer – cutting things down to the essence for the business folks and getting to the main point. I had to unlearn a lot of that in my creative writing – to be more emotional and evocative than I would ever be in my business writing.

What is something you have learned about yourself when working on the memoir?

(SA): Writing a memoir takes a lot of soul searching. I had to dredge up memories I had tried to forget and think about them in detail. Some things were especially hard to write and think about. I had a few good cries. Some of the funny things I recalled didn’t lend themselves to the plot and had to be cut. The process of writing about parts of my past that I hadn’t explored deeply made me have to think about how I had acted, what happened and whether I should have done some things differently. The whole process took a long time and was very emotional.

Were there any obstacles you had while writing your memoir? 

(SA): First, It was hard emotionally and I had to take breaks. Second, my mother got sick and died – during her sickness, I stopped writing. I just couldn’t write honestly about our relationship while she was suffering and I was trying to be there for her, so I put it aside. Third, I had never written a book before and trying to figure out the right structure was the hardest part. I had to rewrite it several times before it clicked with my current braided timeline structure.

Are there any other writing projects you have planned beyond this memoir?

(SA): I started a newsletter on LinkedIn that provides advice to in-house lawyers called “In-House Lawyering and Beyond.” I think that could become a book down the road. I am also working on short stories and have challenged myself to write one a month for the entire year. So far, I have written three stories this year. It’s hard with everything else I do, but it has been rewarding as well.

And lastly, do you have any advice for aspiring writers?

(SA): For years, I said that I wanted to be a writer but I didn’t have time. I have learned that you have to make the time – to learn about craft, to read, to sit in the chair and write. It’s easier than you think – just set a timer for 15 minutes and write about anything, then start the rewriting process after a few sessions. Soon, you’ll have a short story. 

Now, I can’t imagine a time where I won’t be writing. It stopped feeling like a chore and now it’s fun.

 Shanti Ariker can be found at shantiariker.com.

Dendrofemonology

By Elise Collins

Thursday, March 6, 6:00 pm

at the Mechanics Institute Library

57 Post Street, San Francisco 

Join writer and bestselling author Tiffany Shlain as she discusses her sculpture, Dendrofemonology: A Feminist Tree Ring, a thought-provoking exploration of history through a feminist lens. Shlain, author of 24/6: Giving Up Screens One Day a Week to Get More Time, Creativity, and Connection, will share insights on her work at this special event co-presented by the Women’s National Book Association, San Francisco Chapter and Mechanics Institute Library.

This Thursday at 6:00 pm at Mechanics Institute Library

Use Code WNBA to sign up for FREE!

More information about this event & Sign up HERE. 

Fall WNBA-SF writers panel Date TBD at Mechanics Institute Library. Would you like to be a presenter at one of our Mechanics Institute Events, respond to this email and let us know?

Use the code WNBA to sign up FREE for Dendrofemonology HERE

Sign Up Now for Pitch-O-Rama 2025!

By Admin

Virtual Pitch-O-Rama 2025
8AM to 1 PM PDT on Saturday, April 5, 2025

SIGN UP HERE
(Zoom link provided upon registration)

Are you developing a concept for a new book? Do you have a manuscript in progress? Have you always wanted to publish that book you’ve been working on for years? If this sounds like you, we would love to invite you to Pitch-O-Rama 2025!

We are happy to announce we will be hosting the next Pitch-O-Rama as a virtual event on April 5th, 2025, where writers will be given the opportunity to pitch their works to agents and editors for publication.

Everyone is welcome to participate!

Register below to pitch your book idea to agents and publishers!

New to Pitch-O-Rama? Pitch-O-Rama is an annual event where we bring in a set of publishing professionals to share their knowledge of the publishing industry. During the event, you will be able to practice your pitch with coaches and fellow writers, and then share that pitch with an expert who will provide advice on taking your writing project to the next level.

A chance like this is an invaluable learning experience that could put you on the path to publication. We hope to see you there!

$75 for WNBA-SF members, $115 for non-members, with the Early Bird Special of $10 OFF for WNBA-SF Members and non-members using the code POR 2025, which expires 12/31/2024.

After 12/31/2024, registration is $85 for WNBA-SF members, $125 for non-members.

To register, please visit the event page and fill out the form at the bottom of the page!

 

Cooking & Food Writing Panel
Thursday, September 19, 2024

12 to 1 PM PDT
Zoom link provided upon registration

Join WNBA-San Francisco for an upcoming food and cookbook writing panel, where writers/podcasters/food professionals will delve into the art of blending culinary expertise with captivating storytelling. This includes articles, cookbooks, and social media.

During this Lunch N Learn, you will:

  • Explore how to craft irresistible recipes that resonate with audiences online
  • Gain valuable tips on creating engaging content that goes beyond the plate
  • Make new food-loving friends

Whether you’re an aspiring writer, seasoned chef, or food enthusiast, this virtual event is your gateway to the intersection of food, writing, and social media. Join us and our panel—Katie Chin, Dianne Jacob, Faith Kramer, and Amy Kritzer Becker.

To register, please visit the event page and fill out the form at the bottom of the page!

How to Get a Book Deal
Thursday, September 26, 2024

12 to 1 PM PDT
Zoom link provided upon registration

GET A BOOK DEAL WITH A PUBLISHER
There’s the book you want to write and the book a publisher – and readers – will buy: Are they the same book?

Literary agents receive 1500+ manuscripts a month. Publishers receive 10,000+ manuscripts a year. If you want to get a publishing deal and more readers, you’ve got to know what publishers (and readers) buy and how to make your book stand out from the pack.

Publishing coach, Randy Peyser, pitches books to agents and publishers after her company edits or ghostwrites them through her company, Author One Stop, Inc.
(www.AuthorOneStop.com)

Randy will tell you exactly what you need to know to get an agent or publisher to offer you a contract.

You will find out:

  • What topics are hot and what’s not.
  • The most essential sales tool you need in order to sell a manuscript to a publisher.
  • The quickest way to get an agent or publisher to stop in their tracks.
  • The 1 thing to absolutely not do if you are serious about getting a publishing contract.
  • How to get cover endorsements when you don’t know anybody who’s famous.
  • The biggest mistakes authors make.
  • The things you absolutely must do to make your book stand out.
  • Details about your writing that publishers always look for.
  • The biggest questions publishers ask before they make a buying decision.
  • How to title your book to maximize your sales potential
  • The pros and cons of traditional publishing versus self-publishing
  • Converting a book to a screenplay that actually gets considered

To register, please visit the event page and fill out the form at the bottom of the page!

 

TOMORROW: Sept 12 – Stranger Fiction: The Art of Crafting Speculative Fiction and World-Building With Words, 6PM

By Elise Collins

Mechanics Institute Library 2nd-floor (epic reads)

Happy Wednesday!   

REMINDER and CORRECTION-Stranger Fiction: The Art of Crafting Speculative Fiction will take place Thursday night, September 12, from 6-7:30PM NOT 12pm-1pm as previously announced!

Sign up HERE and use the code WNBA for free admission!

Author Panel, Mechanics’ Institute Library
Thursday, September 12, 2024, 6pm-7:30pm
57 Post Street, San Francisco, CA 94104
4th Floor, Chess Room
F
ree admission for Mechanics’ Institute and WNBA members, $10 tickets for the public

The Women’s National Book Association San Francisco Chapter is thrilled to present this exciting member panel at the Mechanics Institute Library! As our home planet Earth grows ever hotter, crowded, and more polluted, we look to other realms for new hope and relief from our terrain concerns. Thankfully, brilliant minds and bold thinkers have already created places and spaces to which we can journey in books and take armchair travels to new worlds beyond our wildest imagining. These creative writers will discuss their craft and the art of world-building through fiction.

Sign up HERE and use the code WNBA for free admission!
 

Ellen McBarnette is a lifelong writer whose nonfiction work has been published as testimony, fact sheets, and opinion pieces for organizations that include the Sierra Club and the American Bar Association. A professional storyteller, she is a recent transplant from Washington, DC where she ran the Arlington Creative Nonfiction Writers Group. She now runs the Beta Readers and Writers Group and is an active participant in critique groups in the Bay. She lives in Hayward with her partner Ben and their cat Java.

 

 

Mary MackeyMary Mackey is the New York Times bestselling author of fourteen novels, including The Earthsong Series—four novels which describe how the peaceful Goddess-worshiping people of Prehistoric Europe fought off patriarchal nomad invaders (The Village of Bones, The Year The Horses Came, The Horses at the Gate, and The Fires of Spring). They have made The New York Times and San Francisco Chronicle Bestseller Lists, been translated into twelve foreign languages, and sold over a million and a half copies. She has published several collections of poetry, including Sugar Zone and The Jaguars That Prowl Our Dreams. You can get the latest news about Mary’s books, public appearances, newsletter, and writing advice at marymackey.com.

 

Sheila Smith McKoy, PHD is an award-winning poet, fiction writer, and filmmaker. She is the recipient of the 2020 Muriel Craft Bailey Memorial Prize in poetry. Her poetry collections include The Bones Beneath (Black Lawrence Press, 2024) One Window’s Light: A Haiku Collection, a collaboration of five Black poets; the collection won the 2017 Haiku Society of America’s Merit Book Award for best haiku anthology. In addition to her poetry and fiction, Smith McKoy has authored and edited numerous scholarly works. She focuses on vital conversations about equity, inclusion and the Black speculative. A native of Raleigh, NC, she lives in the San Francisco Bay Area.

 

Vanessa MacLaren-Wray writes science fiction and fantasy about people—human and otherwise—connecting in our complex universe. She’s the author of the Patchwork Universe series: All That Was Asked, Shadows of Insurrection, and Flames of Attrition. She also writes for the Truck Stop at the Center of the Galaxy shared-world series and guest-hosts for the podcast Small Publishing in a Big Universe. She’s an active member of the Science Fiction and Fantasy Writers Association, the California Writers Club, and (of course) the WNBA. When not arguing with her cats, she works on new stories, her email journal, Messages from the Oort Cloud, and her website, Cometary Tales.

The 43rd Annual Northern California Book Awards

By Admin

43rd Annual Northern California Book Awards
Saturday, September 7, 2024, at
2 PM
Koret Auditorium, San Francisco Main Library,
100 Larkin Street, Civic Center, San Francisco
Free admission

Northern California’s vibrant literary scene is celebrated annually at the Northern California Book Awards, this year honoring published works of 2023 by Northern California authors and California translators. The Awards are selected by the Northern California Book Reviewers, and presented by Poetry Flash (http://poetryflash.org), the San Francisco Public Library, and our community partners Mechanics’ Institute Library and Women’s National Book Association-San Francisco Chapter. Nominated books will be available for sale and signing. A reception at the Library’s Latino/Hispanic Community Room will follow the ceremony. 

Awards will be presented in Fiction, General Nonfiction, Creative Nonfiction, Poetry, Translation, and Children’s Literature. 

FRED CODY AWARD FOR LIFETIME ACHIEVEMENT & SERVICE
Jane Hirshfield
The Asking: New and Selected Poems, Knopf
Poet, essayist, and “one of American poetry’s central spokespersons for the biosphere”

NCBA GROUNDBREAKER AWARD
Transit Books
A nonprofit publisher of international and American literature, committed to the discovery and promotion of enduring works that carry readers across borders and communities.

NCBA RECOGNITION AWARD
Dear California: The Golden State in Diaries and Letters, edited by David Kipen, Redwood Press

NOMINEES

POETRY
Light and Clay: New and Selected Poems, Maxine Chernoff, Madhat Press
In the Cities of Sleep, Elizabeth C. Herron, Fernwood Press
Eggtooth, Jesse Nathan, Unbound Edition Press
The Disordered Alphabet, Cintia Santana, Four Way Books
Leviathan, Michael Shewmaker, Louisiana State University Press
Songbirds of the Nine Rivers, Joseph Zaccardi, Sixteen Rivers Press

FICTION
North Woods, Daniel Mason, Random House
The Dog of the North, Elizabeth McKenzie, Penguin Press
Wildflowers, Beverly Parayno, PAWA Press/Philippine American Writers and Artists
Forget I Told You This, Hilary Zaid, University of Nebraska Press
Land of Milk and Honey, C Pam Zhang, Riverhead Books

CREATIVE NONFICTION
What You Don’t Know Will Make a Whole New World, Dorothy Lazard, Heyday
Secret Harvests: A Hidden Story of Separation and the Resilience of a Family Farm, David Mas Masumoto, Artwork by Patricia Wakida, Red Hen Press
Starstruck: A Memoir of Astrophysics and Finding Light in the Dark, Sarafina El-Badry Nance, Dutton
Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World’s Ugliest Sweater, Peggy Orenstein, Harper
Most Delicious Poison: The Story of Nature’s Toxins—From Spices to Vices, Noah Whiteman, Little, Brown Spark

GENERAL NONFICTION
Inflamed: Abandonment, Heroism, and Outrage in Wine Country’s Deadliest Firestorm, Anne E. Belden, Paul Gullixson, Lauren A. Spates, Permuted Press
Immeasurable Outcomes: Teaching Shakespeare in the Age of the Algorithm, Gayle Greene, Johns Hopkins University Press
The Hungry Season: A Journey of War, Love, and Survival, Lisa M. Hamilton, Little, Brown and Company
Going Infinite: The Rise and Fall of a New Tycoon, Michael Lewis, W.W. Norton
Freedom to Win: A Cold War Story of the Courageous Hockey Team That Fought the Soviets for the Soul of Its People—And Olympic Gold, Ethan Scheiner, Pegasus Books

CALIFORNIA TRANSLATION
California Translation in Poetry
A Cha Chaan Teng That Does Not Exist, Derek Chung, translated from Chinese by May Huang, Zephyr Press
Through the Walls of Solitude, Álamo Oliveira, translated from Portuguese by Diniz Borges, Letras Lavadas Edições/Bruma Publications
Whoever Drowned Here, Max Sessner, translated from German by Francesca Bell, Red Hen Press
Columns, Nikolai Zabolotsky, translated from Russian by Dmitri Manin, ARC Publications

California Translation in Prose

The Short End of the Sonnenallee, Thomas Brussig, translated from German by Jonathan Franzen and Jenny Watson, Picador
Blue Hunger, Viola Di Grado, translated from Italian by Jamie Richards, Bloomsbury Publishing
Whale, Cheon Myeong-kwan, translated from Korean by Chi-Young Kim, Archipelago Books

CHILDREN’S LITERATURE
Younger Readers
How Does Santa Go Down the Chimney?, Mac Barnett, illustrated by Jon Klassen, Candlewick Press
To Boldly Go: How Nichelle Nichols and Star Trek Helped Advance Civil Rights, Angela Dalton, illustrated by Lauren Semmer, Harper
The Shape of You, Mượn Thị Văn, illustrated by Miko Sato, Kids Can Press

Middle Grade

The Eyes and the Impossible, Dave Eggers, illustrated by Shawn Harris, published simultaneously by Knopf Books for Young Readers and McSweeney’s
Farther Than the Moon, Lindsay Lackey, Roaring Brook Press
Boomi’s Boombox, Shanthi Sekaran, Katherine Tegan Books

Young Adult

The Coldest Winter I Ever Spent, Ann Jacobus, Carolrhoda Lab
All the Yellow Suns, Malavika Kannan, Little, Brown Books for Young Readers
Accountable: The True Story of a Racist Social Media Account and the Teenagers Whose Lives It Changed, Dashka Slater, Farrar Straus Giroux Books for Young Readers

Northern California reviewers and editors, members of Northern California Book Reviewers, select the awards. Membership is open to all eligible Northern California reviewers and editors. All nominated books, the Recommended Reading List, will be acknowledged and celebrated at the ceremony. Juror statements will be available in the event program and on the NCBA page at https://poetryflash.org/programs/?p=ncba_2024. This event is sponsored by the Women’s National Book Association-San Francisco Chapter.

Sept 26th- How to Get a Book Deal

By Julianna Holshue

How to Get a Book Deal

Thursday, September 26th at 12 – 1pm PDT 

A FREE Virtual Event

Unable to attend? Sign up for the replay! 

 

 

GET A BOOK DEAL WITH A PUBLISHER
There’s the book you want to write and the book a publisher – and readers – will buy: Are they the same book?

Literary agents receive 1500+ manuscripts a month. Publishers receive 10,000+ manuscripts a year. If you want to get a publishing deal and more readers, you’ve got to know what publishers (and readers) buy and how to make your book stand out from the pack.

Publishing coach, Randy Peyser, pitches books to agents and publishers after her company edits or ghostwrites them through her company, Author One Stop, Inc.
(www.AuthorOneStop.com)

Randy will tell you exactly what you need to know to get an agent or publisher to offer you a contract.

You will find out:
 What topics are hot and what’s not.
 The most essential sales tool you need in order to sell a manuscript to a publisher.
 The quickest way to get an agent or publisher to stop in their tracks.
 The 1 thing to absolutely not do if you are serious about getting a publishing contract.
 How to get cover endorsements when you don’t know anybody who’s famous.
 The biggest mistakes authors make.
 The things you absolutely must do to make your book stand out.
 Details about your writing that publishers always look for.
 The biggest questions publishers ask before they make a buying decision.
 How to title your book to maximize your sales potential
 The pros and cons of traditional publishing versus self-publishing
 Converting a book to a screenplay that actually gets considered

 

Randy Peyser sells non-fiction manuscripts in all genres and speaks nationally about how to earn book deals. She also serves as faculty for CEO Space International, where she teaches about writing book proposals. She is the author of The Write-a-Book Progra; Crappy to Happy as featured in the move Eat, Pray, Love; and The Power of Miracle Thinking.

Her clients’ books have appeared in Oprah, Time Magazine, the bestseller lists of the Wall Street Journal and USA Today, in airport bookstores, Office Max and FedEx stores, and on Hallmark TV. Her work is featured in: Healing the Heart of the World, The Marriage of Sex and Spirit, Secrets of Shameless Self-Promoters, and the national bestsellers, Networking Magic Guerilla Publicity and The Profit of Kindness.

 

To register, please fill out the form below: 

Sorry. This form is no longer available.

Sept 19th- Cooking & Food Writing Panel

By Julianna Holshue

Thursday, September 19 at 12 – 1pm PDT 

 A FREE Virtual Event

Unable to attend? No worries. Register anyway and receive the replay!

Cooking & Food Writing Panel

Join WNBA-San Francisco for an upcoming food and cookbook writing panel, where writers/podcasters/food professionals will delve into the art of blending culinary expertise with captivating storytelling. This includes articles, cookbooks, and social media. 

During this Lunch N Learn, you will:

– Explore how to craft irresistible recipes that resonate with audiences online

– Gain valuable tips on creating engaging content that goes beyond the plate

– Make new food-loving friends

Whether you’re an aspiring writer, seasoned chef, or food enthusiast, this virtual event is your gateway to the intersection of food, writing, and social media.

Meet the Panel:

Celebrity chef Katie Chin, Wok Star Catering, is an award-winning cookbook author, caterer, and playwright.

Her books include “Katie Chin’s Global Family Cookbook,” “300 Best Rice Cooker Recipes,” and “Everyday Thai Cooking,” and her one-woman show is called, “Holy Shitake!  A Wok Star is Born.” ChefKatieChin.com

 

 

 

 

Dianne Jacob is a writing coach, editor, and the author of the multiple award-winning book, “Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs, and More.” Subscribe to her free food writing newsletter at https://diannejacob.substack.com/.”

 

 

Faith Kramer is the author of  the award-winning “52 Shabbats: Friday Night Dinners Inspired by a Global Jewish Kitchen.”

She is a long-time recipe developer and food writer for print and online publications. Her newsletter, Newish, debuts soon. More info at faithkramer.com.

 

 

 

 

Amy Kritzer Becker is the founder of the award-winning cooking blog What Jew Wanna Eat, author of the cookbook Sweet Noshings, co-owner of the cool online Judaica store ModernTribe, and Food Network contributor. Her recipes and writing have also been featured in numerous publications and websites, including The Today Show, Cosmopolitan, and Bon Appetit and she competed on an episode of Guy’s Grocery Games.

 

Moderator:

The networking ambassador for WNBA-SF, Debra Eckerling is an award-winning author and podcaster, food writer, and workshop leader. She is the author of Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals, creator of The DEB Method for goalSetting simplified, and host of the Goalchat and Taste Buds with Deb podcasts. TheDEBMethod.com 

 

 

To register, please fill out the form below: 

Sorry. This form is no longer available.

Featured Member Interview – Christina Vo

By Admin

How would you describe your writing style? Tell us about who you are as an author/writer. 

(CV): My writing style is introspective and evocative, weaving together personal narratives with broader cultural and historical contexts. I strive to create a deep connection with readers by sharing raw and honest reflections on my experiences. As an author, I am dedicated to exploring the complexities of identity, memory, and healing, often drawing from my own life to illuminate universal themes. 

What is the message/meaning behind your memoir The Veil Between Two Worlds: A Memoir of Silence, Loss, and Finding Home? Are there any personal stories you would like to share? 

(CV): The Veil Between Two Worlds delves into the profound journey of navigating silence, loss, and the search for a sense of belonging. The memoir captures a very specific period of my life — turning forty — and realizing how unhappy I was with the life that I had created in San Francisco. There’s a lot of backstory in the book and reflections about the early loss of my mother. While there isn’t one specific story I would like to share, I would recommend it to women who are at a turning point and seeking solace and healing in their lives—this is what I delve into in this memoir, the paths that I ventured down to find healing. The memoir is a testament to the resilience of the human spirit and the transformative power of facing one’s deepest fears and wounds.  

 

I noticed you co-wrote a second book My Vietnam, Your Vietnam with your father. How was the process and experience collaborating with him?

(CV): Collaborating with my father on My Vietnam, Your Vietnam was an incredibly enriching and emotional experience. But interestingly enough, the nature of my relationship with my father is that we actually don’t speak very much, although there’s a deep bond and respect between us. Interestingly, the process didn’t involve much communication, but that doesn’t mean there wasn’t a lot of healing, particularly when I spoke about the book at events, mostly on the West Coast. I wove my father’s writing with my own and created a book that tells two stories of Vietnam.  

Many of the themes within your work surround loss, healing, intergenerational trauma, and the meaning of home. What inspired you to write about these themes in particular? 

(CV): These themes have been central to my life and personal journey. Growing up as a Vietnamese American, I experienced the lingering effects of war, displacement, and cultural disconnection. Writing about loss and healing became a way for me to process my own trauma and make sense of the world around me. Intergenerational trauma is a crucial aspect of my work, as it highlights the silent burdens carried by families and the importance of breaking cycles through understanding and compassion. The concept of home is also deeply personal, representing both a physical place and a state of being where one feels truly accepted and whole. 

Do you have any tips or practices in regard to writing/healing? 

(CV): Writing can be a powerful tool for healing. Here are a few tips and practices that have helped me: 

  • Journaling: Regularly writing down thoughts and feelings can help process emotions and gain clarity. 
  • Mindfulness and Meditation: These practices can ground you and create a calm space for reflection and creativity. 
  • Authenticity: Write from the heart and be true to your experiences. Authenticity resonates with readers and fosters deeper connections. 
  • Storytelling: Share your stories with others. Writing groups or workshops can provide support and different perspectives. 
  • Self-Compassion: Be kind to yourself throughout the writing process. Healing takes time, and it’s okay to feel vulnerable. 

Tell us about your hobbies aside from your writing journey. 

(CV): Outside of writing, I love doing anything creative. For some time, when I wasn’t writing I delved into floral design—and that was really rewarding as well. I also love walking, which I try to do as often as possible during the week. Walking and writing go hand-in-hand to me. I find that walking helps me think through many of my ideas. I also love to explore various coffee shops and restaurants, and spending time with loved ones.  

Is there anything you would like to add or things we can look forward to in the future? 

(CV): I hope to share more personal stories and insights that can inspire and empower readers. While I am not currently working on anything right now, I honestly can’t wait to delve into the writing process again—I am truly my best self when writing!  

 

Featured Member Interview – B. Lynn Goodwin

By Admin

B. Lynn Goodwin is the owner of Writer Advice, www.writeradvice.com. She’s written You Want Me to Do WHAT? Journaling for Caregivers, Talent, Never Too Late: From Wannabe to Wife at 62, and her latest novel, Disrupted. Talent was short-listed for a Literary Lightbox Award, won a bronze medal in the Moonbeam Children’s Book Awards, and was a finalist for a Sarton Women’s Book Award, while Never Too Late: From Wannabe to Wife at 62 won a National Indie Excellence Award and was a finalist elsewhere. She is a reviewer and teacher at Story Circle Network, and she is a manuscript coach at Writer Advice.

I’d like to start by discussing your background in theater. Who or what sparked your passion for the stage? How does that background factor into your writing?

(BLG): My mother sparked my interest. She’d wanted to be an actress and I cast her in a couple of my shows when I was directing community theater. At that time there weren’t as many opportunities to explore what you wanted to be, or if there were, I didn’t know about them. I loved teaching high school and college theatre because I enjoyed coaching actors and watching them transform into the characters they were supposed to be. I also loved showing them ways to tap into their creativity and analytical skills. Little did I know it would lead to writing.

Here’s a key tip: Every character in a play or a piece of literature wants something. Identify what the character wants, what s/he can do to get it, and what is in her/his way. Whether you’re acting from a script, performing in a commercial, or writing fiction, memoir, or even self help, these principles will give you three-dimensional characters.

Tell me a little bit about the writing process and inspiration for your latest novel, Disrupted.

(BLG): Disrupted was inspired by the what ifs that lurk in my mind. What if the long-predicted earthquake on the Hayward Fault actually happened? What’s the aftermath of losing a sibling in the war? For that matter, what’s the aftermath of being displaced? And what can you pull off in terms of constructive contributions when you’re young, optimistic, and eager to make the world work as it should?

First drafts provide clay. They give you the material to sculpt. You can add clay, remove clay, and reshape it. Revision empowers writers. You get to see what you can do with the words on the page.

What do you do if you have no ideas? Write anyway. Make a list of what you need to do or the things you’ve already done this week. Let one idea lead to the next and don’t worry about structure. You’re just getting ideas on the page.

What do you do if your first draft is perfect and you need no revision? Check your ego. Read looking for what’s missing. Have a peer read it to you and notice where she hesitates and when his forehead crunches because he’s puzzled. Ask him what he likes and what trips him up. Listen to responses. Don’t hesitate to do one more draft, even if you’ve already revised it 9 times.

How will you know when it’s ready to submit? Put it away for a month or so. When you take it out, you may see places to improve. Trust the distance of time and space as well as your instincts.

On that note, let’s talk about your influences in general. What inspires you, as a reader and as a writer?

(BLG): Although I’m not a skilled marketer, I like helping other writers by acknowledging what’s right in their work. The desire to do that influences me. I’m inspired by authors who write character driven novels that share insights into the workings and motivations of people in clear, well-written prose. I love a psychological thriller, a well-written mystery, most memoirs, lots of book club selections, and almost every book sent to me for review. I’m a fan of good, character-driven, contemporary YA and coming of age as well.

You’ve mentioned that reviewing plays an important role in the writing community, connecting and empowering writers. Can you elaborate a little bit on that idea? Was Writer Advice born out of that desire to connect and empower writers?

(BLG): Nobody likes to feel stuck. A good, non-judgmental writing community can help a writer to move forward. I love it when I’m working with a writer who writes back to tell me how useful my ideas are. I like triggering new ideas in their mind as much as I like explaining the basics to those who’ve never learned them but have a passion for telling their story.

I originally created Writer Advice, www.writeradvice.com, because I wanted to learn the secrets of published authors and if they took the time to answer my questions, I thought I should share their ideas. The idea was to give them publicity and spread the word. Writer Advice has grown and changed and so have I. I hope it has something valuable to offer you, and I’m always open to your questions and suggestions as well as editing work.

Finally, as a published author yourself, is there any advice that you’d like to share with aspiring writers?

(BLG):
Write daily for at least 20 minutes.
Let one idea lead to another. You can edit later.
Read widely.
Review the books of others. You’re giving back to the community.
Edit carefully, asking yourself what you intended to convey.
Keep writing.
Find a writing community.
Don’t try to do it all in one day.
Look for the joys in life.
There are stories all around us, but no two people see them in the same way. What’s your version?

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