by Christina Vo
There are countless reasons why people write. Some individuals know from a very early age that they are destined to be writers. Others, like myself, might arrive at writing later in life, and not necessarily because we dreamed of becoming published authors. For me, writing was a way of understanding myself, the world around me, and my relationships with others. In my younger years, journaling in the morning became a method to grasp the thoughts and emotions swirling in my mind.
I believe it’s crucial for people to understand and reflect on why they write. If you’re determined to become a published author with one of the big five publishers, that’s an admirable and worthwhile goal. However, you might fall into another category where you enjoy writing but weren’t formally trained. Perhaps you used writing as a life tool and later decided to publish some of your works. Whatever your reason for writing, it’s important to remember that ‘why’ and let it be a guiding principle as you delve deeper into your craft.
For those like me, it’s also vital to understand that some of the rewards of writing are not solely external (e.g., publishing in a prestigious journal or securing a great book deal). Many rewards are internal, and these lessons are invaluable.
Let me share a personal example. Earlier this year, I published a book, My Vietnam, Your Vietnam, co-written with my father. It’s a dual-perspective memoir about Vietnam, with chapters alternating between my father’s story and mine. I crafted the book by pulling pieces from a book he published in 2000 and my earlier writings on Vietnam. Through this process, I gained a deeper understanding of my father’s story and the challenges he faced throughout his life. It brought me a newfound respect and compassion for his journey. While I was delighted to have the book published by Three Rooms Press, more importantly, I am pleased that it deepened my understanding of my father.
This is just one example of how writing has benefited me beyond publication. In many ways, writing can be an art of being present (and we know we could all use more presence in our lives). The benefits can simply lie in the process of writing, in getting your thoughts out on the page, and in developing a deeper understanding of the world around you.
It’s important to remember this so that we don’t get lost in the business of writing and publication. The joy of writing can be found in the moment, in the art and craft itself. And who knows — you might find that you do your best writing when there’s nothing at stake, and when you’re writing simply because you’re committed to it.
By keeping sight of your personal ‘why,’ you can maintain a balanced perspective on your writing journey, appreciating both the external achievements and the internal growth it brings. Remember to never lose sight of your ‘why’ and that ‘why’ might be different for all of us.
Christina Vo is a writer based in Santa Fe, New Mexico. Her work reflects her commitment to understanding and sharing the complexities of the human experience. Christina’s debut memoir, The Veil Between Two Worlds: A Memoir of Silence, Loss, and Finding Home, demonstrates her ability to weave personal experiences into broader narratives about identity, home, and belonging. Her second book, My Vietnam, Your Vietnam, an intergenerational memoir co-written with her father, was published in April 2024 and recently selected for the Ms. Magazine Most Anticipated Feminist Books of 2024. She has worked internationally for UNICEF in Vietnam, the World Economic Forum in Switzerland, as well as served as a consultant for nonprofits.
Julia Beauchamp Kraft is an authentic expression mentor and public speaking coach who specializes in helping introverted women overcome public speaking nerves. Through her signature program, “Fully Expressed”, Julia teaches quiet, shy 
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Jim Azevedo is the marketing director at 
Associate Agent Karly Caserza was born in the Phillipines and immigrated to Northern California as a child. She obtained her Business Marketing degree and has been a Freelance Graphic Designer for over 10 years. In addition to designing a wide range of print and web promotional material for clients. Karly creates book covers for Short Fuse and promotional graphics for Fuse authors. Professionally, Karly began her career in the publishing industry as a reader for Tricia Skinner at Fuse Literary, a role that also included a spot on the production team of Short Fuse. Karly is also the Marketing Coordinator of the San Francisco Writer’s Conference. In her spare time, Karly has a deep love for characters with a strong voice and seeks out stories she can get lost in. Diversity in genre fiction is a major bonus. She specializes in middle grade and young adult genre fiction (fantasy, science fiction, and contemporary.)
Leland Cheuk is a MacDowell and Hawthornden Castle Fellow and award-winning author of three books of fiction, most recently the novel NO GOOD VERY BAD ASIAN (2019). Cheuk’s work has been covered in Buzzfeed, The Paris Review, VICE, San Francisco Chronicle, and elsewhere, and has appeared or is forthcoming in publications such as NPR, The Washington Post, San Francisco Chronicle, Salon, among other outlets. He is the founder of the indie press 7.13 Books, which publishes debut book-length fiction. He is looking for quality works of fiction and short story collections, favoring literary comedies and genre-bending submissions as well as work from the queer and/or POC writing community.
M.J. Fievre, B.S. Ed, is a longtime educator whose publishing career began as a teenager in her native Haiti. At nineteen years old, she signed her first book contract with Hachette-Deschamps for the publication of a YA book titled La Statuette Maléfique. Since then, M.J. has released nine YA books in French that are widely read in Europe and the French Antilles, and she is the author of the award-winning Badass Black Girl book series for tweens and teens (in English). As the ReadCaribbean program coordinator for the prestigious Miami Book Fair, M.J. directs and produces the children’s cultural show Taptap Krik? Krak! In addition, M.J. serves as the managing editor of DragonFruit, which publishes high quality children’s books, which connect with readers by paving the way to lifelong learning.
Georgia Hughes is editorial director at 
Brenda Knight began her career at HarperCollins, working with luminaries Paolo Coelho, Marianne Williamson and His Holiness the Dalai Lama. Knight was awarded IndieFab’s Publisher of the Year in 2014 at the ALA, American Library Association. Knight is the author of Wild Women and Books, The Grateful Table, Be a Good in the World, and Women of the Beat Generation, which won an American Book Award. Knight is Editorial Director at Mango Publishing and acquires for all genres in fiction and nonfiction, LGBTQ as well as children and photography books. She is the immediate past President of the Women’s National Book Association, San Francisco Chapter, and an instructor at the annual San Francisco Writers Conference.
Michael Larsen co-founded Larsen-Pomada Literary Agents in 1972. Over four decades, the agency sold hundreds of books to more than 100 publishers and imprints. The agency has stopped accepting new writers, but Mike loves helping all writers. He gives talks about writing and publishing, and does author coaching. He wrote How to Write a Book Proposal and How to Get a Literary Agent, and coauthored Guerrilla Marketing for Writers. Mike is co-director of the San Francisco Writers Conference and the San Francisco Writing for Change Conference.
Michele Martin is an editor and literary agent specializing in non-fiction and children’s books. Previous experience includes acting as VP for North Star Way (imprint for Simon & Schuster) where she acquired award-winning actress Keke Palmer’s book I Don’t Belong to You in 2017, as well as finding MDM Management, specializing in topics such as business, health & wellness, and self-help.
Kristen Moeller, MS, is an agent at Waterside Productions, the literary home of Eckhart Tolle, Neale Donald Walsch, Jean Houston and other luminaries. Previously, she was an acquisitions editor at Morgan James Publishing and the executive publisher for Persona Publishing, a self-publishing imprint. With close to 30 years of training and experience in psychology and personal growth, she craves discovering new (mostly female) authors with real and gritty memoir or literary fiction about walking through the fires of life – exploring depths and darkness while maintaining a strong psychological base. A published author and a three time TEDx speaker, she has been featured on NPR, ABC, NBC, Fox News, the New York Times, Huffington Post and Tiny House Nation.
Stefanie Molina is an agent and editor who specializes in titles written by authors and for communities of color. Since 2013, she has helped edit various fiction and non-fiction from children’s books to memoirs in order to help authors reach the highest caliber to develop their creative work. Some of her previous experience includes over 5 years as Senior Editor at Brink Literacy Project, whose mission is to share storytelling that empowers underserved communities, and is currently an agent at Ladderbird Literary Agency. 
Liz Nealon is the founder and president of Great Dog Literary, a publishing company specializing in sharing unique voices for both adults and children. In her previous life, she was an award-winning executive producer and children’s media industry leader who played an integral role in shaping the indelible youth brands Sesame Street, Kidz Bop, and MTV, as well as being the former Publisher of StarWalk Kids Media, an award-winning digital publishing company that she co-founded with author Seymour Simon (2012-2016). Liz has unique and specific experience in children’s digital publishing, with extensive knowledge of the US Schools & Libraries sector. She is a big reader of both non-fiction and literary fiction, and is particularly looking for Modern Women’s Fiction (no fantasy or Regency); True Crime with a strong, literary voice; memorable Narrative Non-Fiction; Art/Illustrated titles for adults; Illustrated Middle Grade (both fiction and non-fiction). She is committed to representing diverse voices and would be over the moon if she could acquire a captivating LGBTQ RomCom for YA readers.
Becky Parker Geist is CEO of 
Randy Peyser sells non-fiction manuscripts in all genres and speaks nationally about how to get book deals. She also serves on faculty for CEO Space International where she teaches about writing book proposals. She is the author of: The Write-a-Book Program; Crappy to Happy as featured in the movie, Eat Pray Love; and The Power of Miracle Thinking. Her clients’ books have been in Oprah and Time Magazines, the Wall Street Journal and USA Today Bestseller Lists, in airport bookstores, Office Max and FedEx/Office stores, and on Hallmark TV. Her work is featured in: Healing the Heart of the World; The Marriage of Sex and Spirit; Secrets of Shameless Self-Promoters; and the national bestsellers, Networking Magic, Guerrilla Publicity, and The Profit of Kindness. 
Leah Pierre is a literary agent and production manager who loves diverse and unique work that is fast paced and has a complex cast of diverse characters. After graduating from Rosemont College with her B.A. in English and History and currently finishing her Master’s in Publishing, she has moved back to the South to begin her next adventure. In addition to searching for the next commercial YA or Adult project that will hook her (or make her cry), Leah is looking for YA/Crossover/Adult fiction across speculative, contemporary, romance, mystery/thriller, and fairytale reimaginings and retellings. She currently works at Ladderbird Literary Agency and is the Production Project Manager at Greenleaf Book Group: https://www.ladderbird.com/leah-pierre.html
Marthine Satris is the Acquisitions Editor for Heyday, a nonprofit publisher located in Berkeley, CA. Having worked as an editor and writer for Stanford University Press, Callisto Media, and the Center of the Art of Translation, Marthine’s main goal is to help shape a title with an eye on the fine detail. At Heyday, some of the books she has edited include Charles Hood, Marni Fylling, Mary Clare and Gary Ferguson, John Muir Laws and Emilie Lygren, Alex Harris, Jack Gedney, and David Harris, with more to come. Marthine is acquiring prescriptive books, reference books, narrative nonfiction, literary essays, and, for Heyday, quirky books on Californian history, our natural world, and social justice.
Brooke Warner
Viveca Shearin is a co-publisher of Not a Pipe Publishing, an indie publishing house based in Oregon (though she lives and works in NYC). An avid reader since childhood, her tastes in books have changed throughout the years. However, she is still a lover of fantasy, magic, and all things dark and mysterious. As she searches for her new talent, Viveca is looking for YA and Adult fiction projects in these genres: fantasy, speculative, paranormal, supernatural, mystery and thriller, science fiction, and retellings of fairy tales and mythology (Greek and Japanese). Viveca is especially interested in BIPOC representation and acquiring BIPOC and LGBTQIA+ voices. She’s drawn to stories that feature strong female characters (lead and secondary), stories with a diverse and eclectic cast of characters that all shine in their own ways, stories that feature found families, and stories that stay with her long after the last page is turned. She will not read stories that feature Black trauma, abuse, or anything of that vein. So please do not send these to her. Aside from working for Not a Pipe, Viveca also works as a sensitivity reader.
Leticia Gomez 
Brenda Knight, author of Women of the Beat Generation, will read new work and a tribute to “Beat Goddess” ruth weiss. Brenda began her publishing career at HarperCollins. An author of ten books, she won the American Book Award for “Women of the Beat Generation.” In 2015, she was named Indiefab Publisher of the Year. She is Editorial Director at Mango Publishing and is President of WNBA-SF Chapter.
Storyteller, author, librarian 
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Sherry Richert Belul (
Lily Dulan, author of “Giving Grief Meaning,” is an MFT Psychotherapist with a master’s degrees in Psychology, Creative Writing and Teaching. She is a certified Heart of Yoga Teacher and the founder of The Kara Love Project who drew on her studies of both Eastern and Western disciplines to create a heart centered system of healing and moving through trauma that she calls The Name Work®. 
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About Deb: Goal-Setting expert Debra Eckerling is the author of the award-winning 
About the Book: One of the biggest reasons goals fail is that people often don’t put enough thought into what they really want before diving in. Your Goal Guide by Debra Eckerling starts with that first, crucial step: figuring out your goals and putting a plan in place. Eckerling presents readers with her own tested and proven method: the D*E*B METHOD®, a brainstorming and task-based system, which stands for: Determine Your Mission, Explore Your Options, Brainstorm Your Path. Through a combination of writing exercises and systems, Eckerling provides readers with a process for making and setting goals that is stress-free, easy-to-manage, and even fun
How to Write About Grief and Loss
Grievers want to know that who is writing about grief has experienced or is experiencing grief. The readers who are seeking something to read about grief want to know that the writer relates to grief in a way they can relate to. You can do this by writing from the perspective of someone speaking to directly to the one person who is reading what you say at that moment.
