Love it or Leave it?

By Angelica Shirley Carpenter |

On November 5, 1872, Susan B. Anthony voted in the presidential election in her hometown of Rochester, New York. Two weeks later a United States deputy marshal called at her house to arrest her for illegal voting. He offered to let her go to the district attorney’s office by herself. “Oh, dear, no,” she said. “I much prefer to be taken, handcuffed, if possible.” 

Her arrest and trial made national headlines. Some accounts were written and published by her friend Matilda Joslyn Gage, a fellow leader in the National Woman Suffrage Association. Gage traveled from her home near Syracuse to support Anthony; they organized separate speaking tours around Rochester. Anthony’s speech asked “Is it a Crime for a Citizen of the United States to Vote?” Gage’s talk was entitled “The United States on Trial, Not Susan B. Anthony.” 

Their speeches were so effective that the Monroe County district attorney ruled they had tainted the jury pool. He changed the venue to Ontario County, where the two suffragists managed to stage another whirlwind of talks before the trial. 

The court case, by today’s standards, was a joke. The jury was all male. The judge, described by Gage as “a small-brained, pale-faced, prim-looking man,” ruled Anthony incompetent to testify (all women were considered incompetent to testify at trials). After two days of testimony and speeches by lawyers, the judge pulled a piece of paper from his pocket. 

“This was the first criminal case he had been called on to hear since his appointment,” Gage wrote later, “and with remarkable forethought, he had penned his decision before hearing it.”

“Gentlemen of the jury,” the judge read from his paper, “Miss Anthony knew that she was a woman, and that the Constitution of this State prohibits her from voting. She intended to violate that provision—intended to test it, perhaps, but certainly intended to violate it. . . . She voluntarily gave a vote which was illegal and thus is subject to the penalty of the law.” 

Without allowing the jurors to deliberate, or even to speak a word, he directed them to find her guilty. After instructing the court clerk to enter the verdict, he dismissed the jury and announced a fine for Anthony: one hundred dollars, plus court costs.

“May it please your honor,” Anthony said, “I shall never pay a dollar of your unjust penalty.” And she never did.

Later a law journal published a review of the case, offering advice to the radical women. Matilda Joslyn Gage responded in her newspaper, The National Citizen and Ballot Box: “The Albany Law Journal,” she said “. . . advised Miss Anthony and ourself if we were not pleased with ‘our laws,’ that is, laws made by men, to leave the country, to exile ourselves. This legal journal does not even recognize woman’s right of protest, but if for any reason, women are not pleased with ‘our laws!’ they are bidden to leave the country. Under such a monstrous perversion of justice, . . . cannot all women say We are Without a Country?”

This monstrous perversion of justice has echoed through decades of patriotic dissent. In the 1960s, people who protested the draft and who fought against America’s involvement in the Vietnam War received similar advice. Some did leave, but others stayed, and some even died in that war, believing that they could effect change from within. And eventually the country agreed: the United States had been wrong to attack that small, brave country. 

Today the demand comes from a white supremacist president, aimed particularly at women of color, to love this country or leave it. In solidarity with them, I’d like to echo the 60s: Hell no, we won’t go! It’s our country, too. We will stay and fight to make it better and to make it equal for all.


Angelica Shirley Carpenter is the author of Born Criminal: Matilda Joslyn Gage, Radical Suffragist. Her website is angelicacarpenter.com.

Journaling for Problem Solving

By Debra Eckerling, author of Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals (January 2020)

Whenever someone asks me for writing tips, I suggest keeping a journal. You already have the material – your life, your drama, your observations – so it’s perfect for polishing your writing skills, as well as developing your style and tone. But it’s so much more than that.

While journaling is traditionally used for jotting down what’s going on in your life – tracking your actions, activities, and emotions – one of my favorite ways to use a journal is for problem-solving. 

Challenges come in all shapes and sizes. Whether you’re exploring a plot point, pondering a career choice, or dealing with a personal matter, you may find yourself mulling it over constantly … and sometimes to no avail. However, when you take pen to paper – or fingers to keyboard – in your quest to work something out, you are much more likely to come up with an effective solution.

Want to gain more clarity? Need to resolve something that’s bothering you? Try my Directed Journaling technique.

Directed Journaling

Directed journaling is stream-of-consciousness writing spurts, focused on a specific theme, issue, or problem. 

Here’s how it works:

In your calendar, schedule between three and five 15-minute sessions over a few days. Be sure to set a reminder.

When you get the alert for your appointment, set a timer for 15 minutes, and start writing.

Note: While there are numerous benefits to writing by hand, if you are more likely to complete the process by typing on a computer, go for it!

During each journaling session, focus on the challenge at hand. 

Answer questions, such as: 

  • What’s the problem? 
  • How can I resolve it? 
  • What are all the possible solutions? 

Think outside the box; be as logical and as extreme as possible. These notes are for your eyes only. And don’t worry about repeating yourself. The trick is to get everything out of your head and onto the page.

Here’s the trick. Do not read any of these journal entries until you have done the process several times.

Once you have exhausted your thoughts on the subject, then you may read the journal entries. 

As you go through them, note the ideas you repeat – those are what you are most drawn to. You may also come up with solutions that seem to come from left field. That’s what happens when you allow yourself to babble on paper. 

When you open yourself to all possibilities, and look at them objectively, you are more likely to come up with a successful plan.

Final Thoughts

Journaling is truly one of the best ways to gather and organize your thoughts. Use it to log ideas for writing projects, gather character quirks from people-watching, draft articles and outlines, track your life, or solve problems. The options are endless. 

Enjoy the process … and know that you can amp it up when you need to. It’s just another tool in your writers’ toolbox.


Debra Eckerling is the author of Your Goal Guide: A Roadmap for Setting, Planning, and Achieving Your Goals (Mango Publishing, January 2020), as well as the self-published Write On Blogging: 51 Tips to Create, Write & Promote Your Blog and Purple Pencil Adventures: Writing Prompts for Kids of All AgesA goal coach, project catalyst, and founder of The D*E*B Method, Debra works with individuals and businesses to set goals and manage their projects through one-on one coaching, workshops, and online support. Note: DEB stands for Determine Your Mission, Explore Your Options, Brainstorm Your Path. She is the founder of Write On Online, a live and online community for writers, creatives, and entrepreneurs, as well as host of the #GoalChat Twitter Chat (Sundays at 7pm PT) and the Guided Goals Podcast.

In Defense of Indie Publishing

by Pamela Feinsilber |

Book lovers have no doubt been delighted to see Barbara Lane’s new bimonthly Books column in the Chronicle. Years ago, I attended several of her conversations with authors at the Commonwealth Club and thought her a terrific interviewer. In addition, I’m a freelance book editor—so I found it doubly disappointing that she did such little research for her July 26 column, “Is it worth paying $7,500 to have your book published? Maybe.”

We all understand that it’s ever more difficult to get your work, particularly fiction, accepted by a mainstream publisher. Happily, there’s an ever-growing indie-publishing world out there, one that has nothing to do with the ancient, disparaging term “vanity press.” Even so, Lane—and many others, of course—still seems to think that “if your book is any good,” one of the “reputable publishing houses” will want to publish it. Anything less, she implies, is either intended for family only or the work of a vain and talentless hack. 

That kind of thinking, however, is completely outdated. I’ve worked with dozens of self-publishing authors, from well-known writers to first timers. So it grieves me that people—especially like those in this organization, putting so much time and tears into their writing—aren’t getting good information.

The truth is, more and more published authors are choosing to keep more of the process, and all the royalties, in their own hands. And like any writer, the first-time novelists, memoirists, self-helpers and others feel passionate about what they have to say and want to get it out there. Investing in their own work, perhaps instead of taking a vacation or buying a new car this year, is a way to make that happen. 

Some writers don’t care about earning the money back; they’re glad to have produced their one novel or memoir. And yes, every once in a while, a traditional publisher happens on a “Fifty Shades of Grey” or “The Martian.” That occurs, by the way, with less blockbusting books, too. Just thinking of my clients, Kevin McLean’s memoir “Crossing the River Kabul” was picked up by a university press and received excellent reviews. 

Literary agents are more hesitant to take on mid-list or less-commercial-seeming books these days, but that’s no reason not to persevere. Several of my clients have done just that and never looked back. 

“When It’s Over,” historical fiction by Barbara Ridley, was a finalist for six indie-press awards. Christine Volker’s “Venetian Blood” won the (May) Sarton Women’s Book Award in contemporary fiction, the Independent Press Award for Mystery and First-Time Published Fiction, and a Pinnacle Book Achievement Award for International Mystery. You can bet that this recognition, as well as their good reviews, will help both when their second novels are done.

Ego had nothing to do with Therese Crutcher-Marin’s persistence in getting her heart-felt memoir out. While Kirkus gave “Watching Their Dance: Three Sisters, a Genetic Disease, and Marrying Into a Family at Risk for Huntington’s” a strong review, she has focused on selling it at HD fundraising and other events. So far, she’s made almost $15,000. Imagine how much she’d earn if she tried to reach a wider audience.

Lane got the figure in her headline from (and gave most of her column to) She Writes Press, a hybrid press in Berkeley. When She Writes, which published the two novelists I’ve mentioned, accepts a manuscript, it does beautiful work for a fee of, yes, $7,500; but if the book requires editing—and what work doesn’t?—that costs extra. 

And She Writes keeps 40 percent of the royalties. That’s much less than the mainstream publishers take, but 40 percent more than if you become your own publisher, as Therese did.

After getting professional editing, many authors work with a graphic designer, who creates the cover, interior design, and print and e-books and—almost as important—gets their book into the IngramSpark catalogue. A longtime, well-known book distributor, Ingram added this excellent print-on-demand feature several years ago. Once bookstores know about your book, they can order copies through Ingram, just as with any other title. Doing your own marketing is key, but that’s true whether you have a traditional publisher or not. 

Lots of companies can help you create your book, but they won’t distribute it. You could work with Amazon’s KDP, but most independent bookstores won’t stock books created through Amazon.

Speaking of bookstores, the Path to Publishing program at Book Passage in Corte Madera will take you through all these steps, from recommending a mentor or an editor like me to suggesting a graphic designer and a publicist to helping you get an ISBN number to getting your book on its shelves.

Honestly, I could go on and on in exasperation that more hardworking potential authors haven’t explored this ever-improving option. I’ve worked with so many happily self-published authors. It’s a new world out there! Why not take a little time to explore it?

After working in the magazine world, most recently as a senior editor at San Francisco magazine, Pamela Feinsilber has for more than a decade been editing books. She’s at www.pamelafeinsilber.com.

Pitch-O-Rama PLUS 2020

Saturday, March 21, 2020
8:00 am – 12:30 pm 

It’s now Pitch-O-Rama PLUS – now in Noe Valley!

Bethany UM Church
1270 Sanchez Street (at Clipper) SF, CA 94114

Includes a continental breakfast and pre-pitch coaching.

Early Bird Registration pricing through Jan 1, 2020:
$65 WNBA members,  $75 Non-members, Men Welcome!
Limited to the first 60 ticketed attendees.

Pitch-O-Rama delivers the 4 Ps that lead to publication.

POLISH. You’ve polished your manuscript. Now polish your pitch with our pre-pitch coaches

PITCH. We’ve assembled top agents and publishers for all genres

PROMOTE. Power up with social media 

PARTICIPATE in a Q&A Panel. Secrets to Successful Book Marketing

= PUBLICATION

Pitch-O-Rama 
CLICK HERE FOR THE LIST OF AGENTS AND PUBLISHERS!!!

CLICK HERE FOR TIPS AND RULES FOR PITCHING!

Program
8 to 9 am: Continental Breakfast

8 to 9 am: Pre-Pitch Practice Sessions (3 coaches)

9 to 11:45: Pitch to Agents & Editors (2 one-hour sessions)

12 to 12:30 pm: Secrets to Successful Book Marketing for Writers

Register for Pitch-O-Rama!

 

How Not to Freak Out and Get Humiliated When Pitching to Agents

by Andy Ross |

Andy Ross

Andy Ross

When it comes to rejection, I’m a real wuss. I don’t think I could ever pitch my writing to an agent. I’m amazed at how courageous writers are, and I always feel shame when I know that I have hurt someone with a rejection. In my job, I get plenty of rejection letters from editors in response to my submissions. I estimate I have received over 5000 in my few years at this job. Sometimes it seems a little like my social life in high school. 

Many of my pitches are for memoirs and novels. Here’s what I can tell you about how publishers evaluate these genres. So many of the published memoirs are driven by celebrity. These are, in reality, book-like glitzy packages, usually written by someone other than the putative author. For those of you who like that kind of book, I refer you to Kardashian Konfidential, St. Martin’s Press (2010), written by God only knows who. For the rest of us, it’s almost impossible to find a publisher for a personal memoir.

Certainly there are some examples of family memoirs that have succeeded. The Glass Castle by Jeanette Walls comes to mind. Or The Liar’s Club by Mary Karr. These books rise to the level of high literature. They’re the exceptions though, and I can only imagine the difficulty they must have had finding a publisher. I’ve represented some very good memoirs. Yes. As good as The Liar’s Club. I couldn’t get them published. No dishonor. Just disappointment.

Similarly with fiction. And I have written about this as well in a previous blog post. Literary fiction is especially difficult to get published for the simple reason that it rarely sells enough to be a profitable venture. Most editors evaluate 200-500 novels a year. All of them have been heavily vetted by agents. Most of them are good enough to get published. An editor may acquire 10. And the rejection is usually based on marketing, not on aesthetics. (“This book is too dark for book groups.”  —  “This book seems too quiet.”) As a result I only represent a few novels a year. Most of the greatest novelists of our time have experienced these kinds of rejections.

Some agents are nice guys and have a warm and fuzzy vibe. Others may seem dour, forbidding, arrogant, or world weary. If you are fearful of laying yourself wide open to an agent, here’s what I recommend: Don’t even try to pitch your book. It’s probably more effective sending an agent a query letter and a sample when they get back to the office. Instead, just ask them some questions. Agents know about the publishing process and the market, and you can learn a lot by having a conversation with them.

Ask them what they are looking for when they read a memoir or a novel. Ask them what turns them on and what turns them off. Ask them for advice about finding the right agent. Try to find out what agents and editors are talking about with each other. Ask them what grabs their attention in the first paragraph. The information will be invaluable. And you won’t have to suffer the indignity of a face-to-face rejection. Of course, ask them at the end if you can send them a query and submission. More than likely they will put it at the top of their queue.

Most writers who attend the conferences, most writers who pitch to agents at any conference, aren’t going to find a home with a big New York publisher. But it’s important to remember that the writing, itself, is the end, not the means. It’s the journey that counts. And a few people will reach the end and receive the gold cup. More likely though, you will slip on a banana peel ten feet from the finish line. Ah, but what a trip it’s been. How much you must have grown in the process. Writing is a profound journey of discovery. Publication, well, it’s a business transaction.

Nobody said it better than Ann Lamott in Bird by Bird. She tells us:

“…publication is not all it’s cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do — the actual act of writing — turns out to be the best part. It’s like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward.”

Practice the techniques suggested by Andy Ross and register for Pitch-O-Rama, March 21st. Just click HERE!

About the author: Andy Ross represents authors who write books in a wide range of subjects including: narrative non-fiction, science, journalism, history, current affairs, contemporary culture, religion, children’s books and commercial and literary fiction. He is eager to work with projects in most genres as long as the subject or its treatment is smart, original, and will appeal to a wide readership. In narrative non-fiction he looks for writing with a strong voice and robust narrative arc. He likes books that tell a big story about culture and society by authors with the authority to write about their subject. For literary, commercial, and children’s fiction, he has only one requirement–a simple one–that the writing reveal the terrain of that vast and unexplored country, the human heart. 

Featured Member Interview – Sheila Murray Bethel, PhD

Interview by Susan Allison

sheila murray bethel PhD

A member of  WNBA and The Author’s Guild, Sheila Murray Bethel, PhD is recognized internationally as an expert in leadership. She is a successful entrepreneur, bestselling business author of five books, and a Hall-of-Fame speaker. She has given over 4,000 presentations to over two million people in 20 countries. Her latest published work, A New Breed Of leader, 8 Qualities That Matter Most In The Real World, What Works, What Doesn’t and Why is published in English and Chinese and is winning global praise. She has also written for such publications as The Washington Post, The San Francisco Examiner and USA Today, to name a few. 

When asked about her earliest writing experiences, Sheila remarks, “I am always impressed when I hear about women who knew they wanted to be a writer as a child or they talk about writing stories and plays or poems in school. I never did. I came to writing late in the game, as a necessity that turned into a passion. As a beginning professional speaker, I realized that I had to write articles, training materials, and most of all, a book. To have credibility in the marketplace, I needed a traditionally published book, and preferably one that did well.” 

In her thirty-five years as a professional speaker, Sheila wrote two compilations with other experts, and three books on her own on the subject of leadership. Her first solo book was a best seller in a large niche market; the second was a national bestseller, published in several languages and took her, as she describes, “around this wonderful globe of ours, speaking to fascinating groups of people in a myriad of organizations in fascinating venues.” It was the longest selling business book in her publisher’s history, with twenty-three printings in the U.S. The third book was a follow up to the second and again sold in many languages and countries. 

When asked to share her publishing experience, Sheila has sound advice for every writer: “Don’t Give Up!!! Publishing is one of the hardest things I have ever done. You will encounter nay-sayers and negative people who don’t believe in you or your work. You will get your feelings hurt, shed a tear, and even want to give up during the process. Please don’t. If you feel like quitting, call me and I’ll give you a pep talk.” 

Based on her years of experience, Sheila has three key tips about publishing:

      1. Once you have finished your book, take your ego, wrap it carefully in a piece of lovely soft velvet, and put it in the closet. From now on look at your work as a Product (not you personally). That is the only way you will survive what it takes to see it through to publication. 
      2. The hardest thing to do is to understand that rejection, or constructive criticism, is not personal. It is not you that is being rejected; it is your product. Take a deep breath and get feedback on why it is not being received as you had planned. Ask yourself, what can I learn/do to make it better or more appealing. A caveat here; ask advice from those who are as successful or more so than you. While it is generous of others who are not yet published to help, odds are they won’t be able to give you the hard news you need to make your book publishable.
      3. Get an agent! Will it be easy? No. Is it worth it? Yes! Research the net for the agents that work in your genre. Their website will tell you all you need to know about how to approach them and what they will and will not accept, and how to give them what they want; i.e., synopsis, longer outline, several chapters and so on. Get to know the books they represent and with which publishers they work. It is key to be informed about them before you try to submit your work. It pays off! I’ve had three non-fiction agents; two I enjoyed working with, one I did not. Will I go through it all again for a fiction agent? Yes. I will be right there with you on this journey to have a published book!

    Currently, Sheila is writing a work of fiction, and is drawing on so many inspiring writers for inspiration: “Early on I read the classics; Virginia Wolfe, the Bronte’s, Toni Morrison, Willa Cather among others. Their artistry was the basis and inspiration for my writing. They made me laugh, cry and come to realize how much their words empowered me and allowed me into other worlds. My current fiction project is greatly influenced by Australian writer Colleen McCollough, author of The Thorn Birds. She was a powerful storyteller, a true genius of the written word. She would create a broad scope of time and place and characters and then skillfully and artistically bring it down to one place in a specific time with a detailed group of characters.”

    Now that Sheila is retired and is “no longer a road warrior,” she has the luxury of flexibility and can write anywhere, from her desk, to BART, in a park, at the library, on a plane or in a hotel room. What works for her is to write in two-hour segments, take a break and then come back and finish or edit what she has written: “I often take what I have written ‘for a walk,’ meaning that I go out to one of my favorite walking trails and read and edit as I walk. Nature inspires me and frees my mind. I always come back with better material than when I began.” Sheila’s debut novel is half-finished, and she is “enjoying the challenge.”

    In her parting words, Sheila Bethel inspires us to believe in ourselves and to keep writing: “Congratulations and good for you! There has never been a better time for women writers. The global awareness of women’s issues, as well as the rights and contributions we have made, make it a pivotal time in literary history. Your words and ideas are important!”

    Sheila would love to hear from you. Find out more about her and her work at:

     sheila@smbauthor.com

     www.smbauthor.com

     https://www.sheilamurraybethelauthor.com/sheilas-books-in-order-of-publication/

Summer WNBA-SF Chapter Member News

 

A recent query of members’ summer plans led to a variety of answers. While some use the season to read as many books as possible, we found many members are out in the community promoting their work, teaching classes, and winning awards.

Some exciting recent member news worth highlighting:

Our esteemed member, Mary Mackey, won the 2019 Eric Hoffer Award for the Best Book Published by a Small Press for her collection of poetry The Jaguars That Prowl Our Dreams: New and Selected Poems 1974 to 2018 (Marsh Hawk Press). The Hoffer Award highlights salient writing, as well as the independent spirit of small publishers. 

 


Another accolade went to Phawnda Moore. The Next Generation INDIE judges selected Moore’s book “Lettering From A to Z” as the best entry in Gift/Specialty/Novelty, one of 70 categories.


The Queen Mary in Long Beach, California, will be debuting a dinner and tour based on Patricia V. Davis’ magical realism trilogy The Secret Spice Cafe. For more information about the event visit www.queenmary.com


Kathleen Archambeau had her Open Forum essay published in the SF Chronicle


In Paris, Renate Stendhal’s, Kiss Me Again, Paris, was reviewed by notorious cultural and culinary maker and shaker, Terrance Gelenter. He gave her book a charming and original welcome in his ex-patriate magazine, The Paris Insider


Fran Quittel, the author of The Central Park Lost Mitten Party, spent part of her summer attending camps teaching children to create puppets and stories. The focus, like her book, was around something they found.


With members achieving so much, don’t forget to support your fellow WNBA-SF peers and purchase one of their books. Connect with the author via social media and review their work.

SF Membership Directory

The 2019 Effie Lee Morris Lecture Series was published. Morris was the first African-American president of the Public Library Association and co-founder of the SF chapter of the Women’s National Book Association. 

We have The Bay Area Writer’s Contest. We will be accepting submissions through October 31 for Fiction, Nonfiction, and Poetry. 

While this time of year can be a period of reading, reflection, and promoting your work, it is also a great time to plan for the fall. What events will you be attending? What writing goals do you have? Will you be starting a new manuscript? 

As you begin to plan for a strong finish to the year, keep in mind the WNBA-SF can help you to achieve your goals. 

Enjoy the long days and warm temperatures!


 

Speaking Memory: Remarkable Hidden Histories and Stories You Won’t Forget

WNBA-SF hosts National Reading Group Month 
Book Passage, Ferry Building, San Francisco
October 12th, 2019, Saturday
3:00-5:00pm
Co-sponsored by:

litquake logo 2017

Celebrate National Reading Group Month with four renowned authors who will discuss their sources and inspiration for their new releases. FREE.

Carol Bumpus

A retired family therapist, CAROLE BUMPUS began writing about food and travel when she stumbled upon the amazing stories of women and war in France. She has traveled extensively throughout France and Italy, where she has interviewed more than seventy-five families to date for her food and travel blogs. Searching for Family and Traditions at the French Table is the first volume in her series, Savoring the Olde Ways. She is also author of an historical novel A Cup of Redemption and her unique companion cookbook, Recipes for Redemption: A Companion Cookbook to A Cup of Redemption.

Part culinary memoir and part travelogue, Searching For Family and Traditions At The French Table (She Writes Press, 2019) reveals French families at their best and at their own dinner tables. It is an intimate peek inside their homes and lives, a collection of traditional French recipes (cuisine pauvre or peasant foods), and accounts of families forced from their communities during the German occupation of WWII in the Alsace and Lorraine, only to continue to struggle for survival after finally making their way home.

donna digiuseppe

Donna DiGiuseppe studied at U.C. Berkeley, including a year in Venice at Ca’ Foscari, focusing on the northern Italian Renaissance. Dividing her time between San Francisco and Abruzzo, Italy, Donna has been a practicing lawyer in San Francisco who returned to her first love of history. She lectures frequently on her favorite subject, artist Sofonisba Anguissola.
Lady in Ermine: The Story of a Woman Who Painted the Renaissance (Bagwyn Books, 2019) reveals the captivating story of Italian Renaissance painter Sofonisba Anguissola, who embodies the struggle of women throughout the ages.  DiGuiseppe’s book vividly immerses the reader in the sixteenth century world of the Renaissance figures Anguissola paints, her ambitions, life story, and legacy.

Meredith MayThe Honey Bus Cover

Meredith May spent sixteen years at the San Francisco Chronicle, where her narrative reporting won the PEN USA Literary Award for Journalism and was shortlisted for the Pulitzer Prize. She is co-author of I, Who Did Not Die, about a child soldier who risked his life to rescue a wounded enemy fighter during the Iran-Iraq War. She is a fifth-generation beekeeper and lives in San Francisco, where she keeps several hives in a community garden.
The Honey Bus: A Memoir of Loss, Courage and a Girl Saved by Bees (HarperCollins/Park Row Books, 2019) reveals the compelling life lessons May learned beginning in her grandfather’s Big Sur bee yard. Part family history, part beekeeping odyssey, The Honey Bus is a rich and lyrical story of a girl who discovered that everything she needed to know about life and family was right before her eyes in the secret world of bees.

Deborah TobolaDeborah Tobola is a poet, playwright and co-author of a children’s book. Her work has earned four Pushcart Prize nominations, three Academy of American Poets awards and a Children’s Choice Book Award. Tobola earned a Master of Fine Arts degree in Creative Writing from the University of Arizona, and began teaching creative writing and theatre in prison in 1992. She is founding artistic director of Poetic Justice Project, the country’s first theatre company created for formerly incarcerated people.
Hummingbird in Underworld Teaching in a Men’s Prison, A Memoir (She Writes Press, 2019) takes readers on an unforgettable literary journey that alternates between tales of creating drama in prison and Tobola’s own story.  As she creates this groundbreaking theatre program, Tobola engages prisoners isolated from the outside world in the arts and helps them discover their own unique, powerful voices.

 

fran quittelThe moderator, Fran Quittel is an accomplished non-fiction author whose grassroots efforts successfully restored $270 million to 10,000 bank depositors by adding an amendment to the Dodd-Frank Wall Street Reform and Consumer Protection Act. Her delightful children’s book, The Central Park Lost Mitten Party (Gingerspice Imprint, Regent Press, 2018) celebrates the rich history and beautiful architecture of America’s first urban public park.

 

 

https://wnba-sfchapter.org/12506-2/

2019 San Francisco Writing for Change Conference

Saturday, September 14th, 2019
Check-in begins at 8:30 am

Event: 8:30 am – 5:30 pm
First Unitarian Universalist Center of San Francisco
1187 Franklin Street (at Geary), San Francisco, CA

Please join the Women’s National Book Association-SF Chapter at the San Francisco Writing for Change Conference where we will have a booth and also be participating in panels on getting published, marketing and writing the perfect proposal and much more!

The keynoter at the 2018 San Francisco Writing for Change will be Brooke Axtell.
She is the Founder and Director of She is Rising, a healing community for women and girls overcoming rape, abuse and sex-trafficking. Through her mentorship programs, retreats and workshops, Brooke helps survivors become leaders. She is passionate about inspiring young women to reclaim their worth and express their power to create a more compassionate world.

At the 11th San Francisco Writing for Change Conference you will discover how what you write can change the world…and how to get your writing published. The theme of the conference is “Writing to Make a Difference,” with topics ranging from business, spirituality, politics, technology, social issues, the environment, culture, the law, and much more.

Check out the latest schedule of sessions at the Change event.
The Writing for Change Conference is devoted to bringing together agents, editors, authors, and publishing professionals in order to enable writers to learn from the experts about writing, publishing, marketing, and technology. You’ll come away knowing how to get your work published successfully, online and off.
You will have the chance to learn from and pitch your book to the presenters, and to get feedback on your work from freelance editors. The conference will include one jam-packed day of workshops, panels and the keynote address. You will leave feeling inspired and enlightened. Please join us for this amazing day.

San Francisco Writing For Change registration includes:

    • Keynote and a full day of sessions
    • A full faculty of presenters–authors, editors, agents, marketing experts
    • Ask-the-Pros round-tables with presenters
    • Feedback on your work from independent editors
    • Networking with speakers and other writers
    • Opportunity to pitch your book to agents and editors

This Conference will be limited to 100 attendees.

REGISTRATION IS NOW OPEN FOR 2018! Click here to register today 

This event is presented by the San Francisco Writers Conference and San Francisco Writers Foundation.  We are a 501(c)3 nonprofit organization. Our mission is to help writers get their work published and to support all forms of  writing and written communication.

For sponsorship and marketing opportunities, contact us at info@sfwriters.org.